M. F. K. Fisher Quotes About Food

We have collected for you the TOP of M. F. K. Fisher's best quotes about Food! Here are collected all the quotes about Food starting from the birthday of the Writer – July 3, 1908! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 30 sayings of M. F. K. Fisher about Food. We will be happy if you share our collection of quotes with your friends on social networks!
  • Probably one of the most private things in the world is an egg until it is broken.

    Joan Reardon, M.F.K. Fisher (2014). “The Art of Eating”, p.264, Houghton Mifflin Harcourt
  • Central heating, French rubber goods and cookbooks are three amazing proofs of man's ingenuity in transforming necessity into art, and, of these, cookbooks are perhaps most lastingly delightful.

    Joan Reardon, M.F.K. Fisher (2014). “The Art of Eating”, p.52, Houghton Mifflin Harcourt
  • A complete lack of caution is perhaps one of the true signs of a real gourmet: he has no need for it, being filled as he is with a God-given and intelligently self-cultivated sense of gastronomical freedom.

    "An Alphabet for Gourmets". Book by M. F. K. Fisher, 1949.
  • Wine and cheese are ageless companions, like aspirin and aches, or June and moon, or good people and noble ventures.

  • A potato is a poor thing, poorly treated. More often than not it is cooked in so unthinking and ignorant a manner as to make one feel that it has never before been encountered in the kitchen.

    Joan Reardon, M.F.K. Fisher (2014). “The Art of Eating”, p.58, Houghton Mifflin Harcourt
  • I am more modest now, but I still think that one of the pleasantest of all emotions is to know that I, I with my brain and my hands, have nourished my beloved few, that I have concocted a stew or a story, a rarity or a plain dish, to sustain them truly against the hungers of the world.

    M. F. K. Fisher, Joan Reardon (2004). “The Art of Eating”, p.402, Houghton Mifflin Harcourt
  • Brioches are a light, pale yellow, faintly sweet kind of muffin with a characteristic blob on top, rather like a mushroom just pushing crookedly through the ground. Once eaten in Paris, they never taste as good anywhere else.

  • In general, I think, human beings are happiest at table when they are very young, very much in love or very alone.

  • There is a communication of more than our bodies when bread is broken and wine is drunk. And that is my answer when people ask me: Why do you write about hunger, and not wars or love.

  • Between the ages of twenty and fifty, John Doe spends some twenty thousand hours chewing and swallowing food, more than eight hundred days and nights of steady eating. The mere contemplation of this fact is upsetting enough.

    Joan Reardon, M.F.K. Fisher (2014). “The Art of Eating”, p.43, Houghton Mifflin Harcourt
  • When I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and it is all one.

    The Gastronomical Me foreword (1943).
  • This is not that, and that is certainly not this, and at the same time an oyster stew is not stewed, and although they are made of the same things and even cooked almost the same way, an oyster soup should never be called a stew, nor stew soup.

    M. F. K. Fisher (2016). “Consider the Oyster”, p.71, Pickle Partners Publishing
  • It is a curious fact that no man likes to call himself a glutton, and yet each of us has in him a trace of gluttony, potential or actual. I cannot believe that there exists a single coherent human being who will not confess, at least to himself, that once or twice he has stuffed himself to bursting point on anything from quail financiere to flapjacks, for no other reason than the beastlike satisfaction of his belly.

    M. F. K. Fisher, Joan Reardon (2004). “The Art of Eating”, p.648, Houghton Mifflin Harcourt
  • A complete lack of caution is perhaps one of the true signs of a real gourmet.

    Joan Reardon, M.F.K. Fisher (2014). “The Art of Eating”, p.624, Houghton Mifflin Harcourt
  • Cheese has always been a food that both sophisticated and simple humans love.

    Joan Reardon, M.F.K. Fisher (2014). “The Art of Eating”, p.375, Houghton Mifflin Harcourt
  • ...I prefer not to have among my guests two people or more, of any sex, who are in the first wild tremours of love. It is better to invite them after their new passion has settled, has solidified into a quieter reciprocity of emotions. (It is also a waste of good food, to serve it to new lovers.)

    Joan Reardon, M.F.K. Fisher (2014). “The Art of Eating”, p.78, Houghton Mifflin Harcourt
  • The smell of good bread baking, like the sound of lightly flowing water, is indescribable in its evocation of innocence and delight... [Breadmaking is] one of those almost hypnotic businesses, like a dance from some ancient ceremony. It leaves you filled with one of the world's sweetest smells... there is no chiropractic treatment, no Yoga exercise, no hour of meditation in a music-throbbing chapel. that will leave you emptier of bad thoughts than this homely ceremony of making bread.

  • Sharing food with another human being is an intimate act that should not be indulged in lightly.

    1949 An Alphabet for Gourmets,'A Is for Dining Alone'.
  • All men are hungry. They always have been. They must eat, and when they deny themselves the pleasures of carrying out that need, they are cutting off part of their possible fullness, their natural realization of life, whether they are rich or poor.

    Joan Reardon, M.F.K. Fisher (2014). “The Art of Eating”, p.357, Houghton Mifflin Harcourt
  • Probably no strychnine has sent as many husbands into their graves as mealtime scolding has, and nothing has driven more men into the arms of other women as the sound of a shrill whine at table.

    Joan Reardon, M.F.K. Fisher (2014). “The Art of Eating”, p.748, Houghton Mifflin Harcourt
  • You may feel that you have eaten too much...But this pastry is like feathers - it is like snow. It is in fact good for you, a digestive!

  • The smell of good bread baking, like the sound of lightly flowing water, is indescribable in its evocation of innocence and delight

  • On the other hand, a flaccid, moping, debauched mollusc, tired from too much love and loose-nerved from general world conditions, can be a shameful thing served raw upon the shell.

    M. F. K. Fisher (2016). “Consider the Oyster”, p.26, Pickle Partners Publishing
  • There's a communion of more than our bodies when bread is broken and wine drunk.

    Joan Reardon, M.F.K. Fisher (2014). “The Art of Eating”, p.388, Houghton Mifflin Harcourt
  • Family dinners are more often than not an ordeal of nervous indigestion, preceded by hidden resentment and ennui and accompanied by psychosomatic jitters.

    Joan Reardon, M.F.K. Fisher (2014). “The Art of Eating”, p.640, Houghton Mifflin Harcourt
  • Probably the most satisfying soup in the world for people who are hungry, as well as for those who are tired or worried or cross or in debt or in a moderate amount of pain or in love or in robust health or in any kind of business huggermuggery, is minestrone.

    Joan Reardon, M.F.K. Fisher (2014). “The Art of Eating”, p.252, Houghton Mifflin Harcourt
  • Almost every person has something secret he likes to eat.

    Joan Reardon, M.F.K. Fisher (2014). “The Art of Eating”, p.61, Houghton Mifflin Harcourt
  • It seems to me that our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straightly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it… and then the warmth and richness and fine reality of hunger satisfied… and it is all one.

    The Gastronomical Me foreword (1943).
  • In America we eat, collectively, with a glum urge for food to fill us. We are ignorant of flavour. We are as a nation taste-blind.

    1976 The Art of Eating.
  • gastronomy is and always has been connected with its sister art of love.

    M. F. K. Fisher, Joan Reardon (2004). “The Art of Eating”, p.713, Houghton Mifflin Harcourt
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