Camille Paglia Quotes About Style

We have collected for you the TOP of Camille Paglia's best quotes about Style! Here are collected all the quotes about Style starting from the birthday of the Teacher – April 2, 1947! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 5 sayings of Camille Paglia about Style. We will be happy if you share our collection of quotes with your friends on social networks!
  • Madonna has a far profounder vision of sex than do the feminists. She sees both the animality and the artifice. Changing her costume style and hair color virtually every month, Madonna embodies the eternal values of beauty and pleasure. Feminism says, 'No more masks.' Madonna says we are nothing but masks. Through her enormous impact on young women around the world, Madonna is the future of feminism.

    Sex  
  • The Gothic tradition was begun by Ann Radcliffe, a rare example of a woman creating an artistic style.

    Camille Paglia (1990). “Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, Vintage
  • It was in reading Tristam Shandy that I noticed how it is primarily men who gravitate towards the game-playing self-reflexive style. There is an alienation from emotion in it, a Nervous Nelly fear of letting go and being "exposed." As an attitude towards life, it betrays a perpetual adolescence. Those who hurled themselves after Derrida were not the most sophisticated but the most pretentious, and least creative members of my generation of academics.

    "Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf". Arion, Third Series, Vol. 1, No. 2, Spring 1991.
  • American universities are organized on the principle of the nuclear rather than the extended family. Graduate students are grimly trained to be technicians rather than connoisseurs. The old German style of universal scholarship has gone.

    Camille Paglia (2011). “Sex, Art, and American Culture: Essays”, p.120, Vintage
  • The North American intellectual tradition began, I maintain, in the encounter of British Romanticism with assertive, pragmatic North American English - the Protestant plain style in both the U.S. and Canada, with its no-nonsense Scottish immigrants.

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