Camille Paglia Quotes About Criticism

We have collected for you the TOP of Camille Paglia's best quotes about Criticism! Here are collected all the quotes about Criticism starting from the birthday of the Teacher – April 2, 1947! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 6 sayings of Camille Paglia about Criticism. We will be happy if you share our collection of quotes with your friends on social networks!
  • Criticism at its best is re-creative, not spirit-killing.

    Camille Paglia (2005). “Break, blow, burn”, Pantheon
  • I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.

  • The number one problem in academia today is not ignorant students but ignorant professors, who have substituted narrow "expertise" and "theoretical sophistication" (a preposterous term) for breadth and depth of learning in the world history of art and thought... Art is a vast, ancient interconnected web-work, a fabricated tradition. Overconcentration on any one point is a distortion. This is one of the primary reasons for the dullness and ineptitude of so much twentieth-criticism, as compared to nineteenth-century belles-lettres.

    "Junk Bonds and Corporate Raiders: Academe in the Hour of the Wolf". Camille Paglia, "Arion", Third Series, Volume 1, No. 2, Spring 1991.
  • Hollywood movies of the Fifties, like The Ten Commandments and Ben-Hur, with their epic clash of pagan and Judeo-Christian cultures, tell more about art and society than the French-infatuated ideologues who have made a travesty of the "best" American higher criticism.

    "Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf". Arion, Third Series, Vol. 1, No. 2, Spring 1991.
  • The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.

    Camille Paglia (1990). “Sexual Personae”, p.51, Yale University Press
  • The greatest honor that can be paid to the work of art, on its pedestal of ritual display, is to describe it with sensory completeness. We need a science of description. Criticism is ceremonial revivification.

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