E. M. Forster Quotes About Character
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The test of a round character is whether it is capable of surprising in a convincing way. If it never surprises it is flat. Flat characters ... in their purest form ... are constructed round a single idea or quality; when there is more than one factor to them, we get the beginning of the curve toward the round. The really flat character can be experessed in one sentence such as, "I will never desert Mr Micawber." There is Mrs Micawber - she says she won't desert Mr Micawber; she doesn't, and there she is.
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Our easiest approach to a definition of any aspect of fiction is always by considering the sort of demand it makes on the reader. Curiosity for the story, human feelings and a sense of value for the characters, intelligence and memory for the plot. What does fantasy ask of us? It asks us to pay something extra.
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Characters must not brood too long. They must not waste time running up and down ladders in their own insides.
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Axiom : Novel must have either one living character or a perfect pattern: fails otherwise.
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We may divide characters into flat and round.
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Italy is such a delightful place to live in if you happen to be a man. There one may enjoy that exquisite luxury of Socialism--that true Socialism which is based not on equality of income or character, but on the equality of manners. In the democracy of the caffè or the street the great question of our life has been solved, and the brotherhood of man is a reality. But it is accomplished at the expense of the sisterhood of women.
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It is devilish difficult to criticise society & also create human beings.
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Ulysses ... is a dogged attempt to cover the universe with mud, an inverted Victorianism, an attempt to make crossness and dirt succeed where sweetness and light failed, a simplification of the human character in the interests of Hell.
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But I have seen my obstacles: trivialities, learning and poetry. This last needs explaining: the old artist's readiness to dissolve characters into a haze. Characters cannot come alive and fight and guide the world unless the novelist wants them to remain characters.
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Solidity, caution, integrity, efficiency. Lack of imagination, hypocrisy. These qualities characterize the middle classes in everycountry, but in England they are national characteristics.
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The novelist, unlike many of his colleagues, makes up a number of word-masses roughly describing himself (roughly: niceties shallcome later), gives them names and sex, assigns them plausible gestures, and causes them to speak by the use of inverted commas, and perhaps to behave consistently.
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For our vanity is such that we hold our own characters immutable, and we are slow to acknowledge that they have changed, even for the better.
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It is the function of the novelist to reveal the hidden life at its source: to tell us more about Queen Victoria than could be known, and thus to produce a character who is not the Queen Victoria of history.
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Chess is a forcing house where the fruits of character can ripen more fully than in life
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