George Orwell Quotes About Language

We have collected for you the TOP of George Orwell's best quotes about Language! Here are collected all the quotes about Language starting from the birthday of the Novelist – June 25, 1903! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 22 sayings of George Orwell about Language. We will be happy if you share our collection of quotes with your friends on social networks!
  • But if thought corrupts language, language can also corrupt thought.

    "Politics and the English Language" (1946)
  • The inflated style is itself a kind of euphemism. A mass of Latin words falls upon the facts like soft snow, blurring the outlines and covering up all the details. The great enemy of clear language is insincerity.

    George Orwell, Keith Gessen (2009). “All Art Is Propaganda: Critical Essays”, p.282, Houghton Mifflin Harcourt
  • Political chaos is connected with the decay of language... one can probably bring about some improvement by starting at the verbal end.

    George Orwell (1986). “The complete works of George Orwell”
  • There is no swifter route to the corruption of thought than through the corruption of language

  • The slovenliness of our language makes it easier for us to have foolish thoughts.

    George Orwell, Keith Gessen (2009). “All Art Is Propaganda: Critical Essays”, p.270, Houghton Mifflin Harcourt
  • A man may take to drink because he feels himself to he a failure, and then fail all the more completely because he drinks. It is rather the same thing that is happening to the English language. It becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier for us to have foolish thoughts.

    George Orwell, Keith Gessen (2009). “All Art Is Propaganda: Critical Essays”, p.270, Houghton Mifflin Harcourt
  • Political writing in our time consists almost entirely of prefabricated phrases bolted together like the pieces of a child's Meccano set. It is the unavoidable result of self-censorship. To write in plain, vigorous language one has to think fearlessly, and if one thinks fearlessly one cannot be politically orthodox.

    George Orwell (1986). “The complete works of George Orwell”
  • Has it ever occurred to you,' he said, 'that the whole history of English poetry has been de-termined by the fact that the English language lacks rhymes?

    George Orwell, A.M. Heath (2003). “Animal Farm and 1984”, p.324, Houghton Mifflin Harcourt
  • In our time, political speech and writing are largely the defense of the indefensible. Things like the continuance of British rule in India, the Russian purges and deportations, the dropping of the atom bombs on Japan, can indeed be defended, but only by arguments which are too brutal for most people to face, and which do not square with the professed aims of the political parties. Thus political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness.

    George Orwell (2001). “Orwell and Politics”, p.459, Penguin UK
  • Most people who bother with the matter at all would admit that the English language is in a bad way, but it is generally assumed that we cannot by conscious action do anything about it.

    George Orwell, Keith Gessen (2009). “All Art Is Propaganda: Critical Essays”, p.270, Houghton Mifflin Harcourt
  • The Revolution will be complete when the language is perfect.

    George Orwell (2014). “1984”, p.44, Arcturus Publishing
  • To write or even speak English is not a science but an art. There are no reliable words. Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up.

  • A mass of Latin words falls upon the facts like soft snow, blurring the outline and covering up all the details. The great enemy of clear language is insincerity. When there is a gap between one's real and one's declared aims, one turns as it were instinctively to long words and exhausted idioms, like a cuttlefish spurting out ink. In our age there is no such thing as 'keeping out of politics'. All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred, and schizophrenia. When the general atmosphere is bad, language must suffer.

    George Orwell, Peter Hobley Davison (2001). “Orwell and politics: Animal farm in the context of essays, reviews and letters selected from the complete works of George Orwell”, Penguin Modern Classics
  • If thought corrupts language, language can also corrupt thought. A bad usage can spread by tradition and imitation even among people who should and do know better.

    George Orwell, Keith Gessen (2009). “All Art Is Propaganda: Critical Essays”, p.282, Houghton Mifflin Harcourt
  • Some people have a knack, for example, of being able to tell when someone's lying to them. They may not know what the truth is, but they can tell when someone is trying to lead them astray or sell them something shady. I think he had that ability to an amazing degree. I also think he thought, without saying it explicitly, that you can convince a crowd of something that's not true more easily than you can one person at a time.

  • Political language... is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.

    "Politics and the English Language" (1946)
  • The great enemy of clear language is insincerity. When there is a gap between one's real and one's declared aims, one turns, as it were, instinctively to long words and exhausted idioms, like a cuttlefish squirting out ink.

    "Politics and the English Language" (1946)
  • In our time, political speech and writing are largely the defense of the indefensible... Thus, political language has to consist largely of euphemism, question-begging, and sheer cloudy vagueness... Political language [is] designed to make lies sound truthful and murder respectable.

  • The great enemy of clear language is insincerity.

    "All Art Is Propaganda: Critical Essays".
  • It's a beautiful thing, the destruction of words.

    George Orwell, A.M. Heath (2003). “Animal Farm and 1984”, p.151, Houghton Mifflin Harcourt
  • Language ought to be the joint creation of poets and manual workers.

    George Orwell (1986). “The complete works of George Orwell”
  • Don’t you see that the whole aim of Newspeak is to narrow the range of thought? In the end we shall make thoughtcrime literally impossible, because there will be no words in which to express it.

    Nineteen Eighty-Four pt. 1, ch. 5 (1949)
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