Henry David Thoreau Quotes About Observation
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Almost any mode of observation will be successful at last, for what is most wanted is method.
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The natural historian is not a fisherman who prays for cloudy days and good luck merely; but as fishing has been styled "a contemplative man's recreation," introducing him profitably to woods and water, so the fruit of the naturalist's observations is not in new genera or species, but in new contemplations still, and science is only a more contemplative man's recreation.
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The gods are partial to no era, but steadily shines their light in the heavens, while the eye of the beholder is turned to stone.There was but the sun and the eye from the first. The ages have not added a new ray to the one, nor altered a fibre of the other.
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Carlyle said that how to observe was to look, but I say that it is rather to see, and the more you look the less you will observe.
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It is a very true and expressive phrase, "He looked daggers at me," for the first pattern and prototype of all daggers must have been a glance of the eye.... It is wonderful how we get about the streets without being wounded by these delicate and glancing weapons, a man can so nimbly whip out his rapier, or without being noticed carry it unsheathed. Yet it is rare that one gets seriously looked at.
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A man must generally get away some hundreds or thousands of miles from home before he can be said to begin his travels. Why not begin his travels at home? Would he have to go far or look very closely to discover novelties? The traveler who, in this sense, pursues his travels at home, has the advantage at any rate of a long residence in the country to make his observations correct and profitable. Now the American goes to England, while the Englishman comes to America, in order to describe the country.
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Nature has from the first expanded the minute blossoms of the forest only toward the heavens, above men's heads and unobserved bythem. We see only the flowers that are under our feet in the meadows.
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If I wished to see a mountain or other scenery under the most favorable auspices, I would go to it in foul weather, so as to be there when it cleared up; we are then in the most suitable mood, and nature is most fresh and inspiring. There is no serenity so fair as that which is just established in a tearful eye.
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I delight to come to my bearings,... not to live in this restless, nervous, bustling, trivial Nineteenth Century, but stand or sitthoughtfully while it goes by.
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The morning wind forever blows, the poem of creation is uninterrupted; but few are the ears to hear it.
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A man sees only what concerns him.... How much more, then, it requires different intentions of the eye and of the mind to attend to different departments of knowledge! How differently the poet and the naturalist look at objects!
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We must look a long time before we can see
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We cannot see anything until we are possessed with the idea of it, take it into our heads,--and then we can hardly see anything else.
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The process of discovery is very simple. An unwearied and systematic application of known laws to nature, causes the unknown to reveal themselves. Almost any mode of observation will be successful at last, for what is most wanted is method.
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The Artist is he who detects and applies the law from observation of the works of Genius, whether of man or Nature. The Artisan is he who merely applies the rules which others have detected.
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For my own part, I commonly attend more to nature than to man, but any affecting human event may blind our eyes to natural objects. I was so absorbed in him as to be surprised whenever I detected the routine of the natural world surviving still, or met persons going about their affairs indifferent.
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Science with its retorts would have put me to sleep; it was the opportunity to be ignorant that I improved. It suggested to me that there was something to be seen if one had eyes. It made a believer of me more than before. I believed that the woods were not tenantless, but choke-full of honest spirits as good as myself any day,--not an empty chamber, in which chemistry was left to work alone, but an inhabited house,--and for a few moments I enjoyed fellowship with them.
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Nature is not made after such a fashion as we would have her. We piously exaggerate her wonders, as the scenery around our home.
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Really to see the sun rise or go down every day, so to relate ourselves to a universal fact, would preserve us sane forever.
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The Man of Genius may at the same time be, indeed is commonly, an Artist, but the two are not to be confounded. The Man of Genius,referred to mankind, is an originator, an inspired or demonic man, who produces a perfect work in obedience to laws yet unexplored. The artist is he who detects and applies the law from observation of the works of Genius, whether of man or nature. The Artisan is he who merely applies the rules which others have detected. There has been no man of pure Genius, as there has been none wholly destitute of Genius.
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I have just been through the process of killing a cistudo for the sake of science; but I cannot excuse myself for this murder, and see that such actions are inconsistent with the poetic perception, however they may serve science, and will affect the quality of my observations. I pray that I may walk more innocently and serenely through nature. No reasoning whatever reconciles me to this act. It affects my day injuriously. I have lost some self-respect. I have a murderer's experience to a degree.
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One can hardly imagine a more healthful employment, or one more favorable to contemplation and the observation of nature.
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Observation is so wide awake, and facts are being so rapidly added to the sum of human experience, that it appears as if the theorizer would always be in arrears, and were doomed forever to arrive at imperfect conclusion; but the power to perceive a law is equally rare in all ages of the world, and depends but little on the number of facts observed.
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