Ralph Waldo Emerson Quotes About Painting
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The masters painted for joy, and knew not that virtue had gone out of them. They could not paint the like in cold blood. The masters of English lyric wrote their songs so. It was a fine efflorescence of fine powers.
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Sculpture and painting have the effect of teaching us manners and abolishing hurry.
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Teach the children! It is painting in fresco.
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There are moods in which we court suffering, in the hope that here, at least, we shall find reality, sharp peaks and edges of truth. But it turns out to be scene-painting and counterfeit. The only thing grief has taught me is to know how shallow it is.
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I like a man who likes to see a fine barn as well as a good tragedy.
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I have heard that stiff people lose something of their awkwardness under high ceilings, and in spacious halls. I think, sculptureand painting have an effect to teach us manners, and abolish hurry.
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Art is a jealous mistress; and if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider.
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Painting was called silent poetry and poetry speaking painting.
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But the mark of American merit in painting, in sculpture, in poetry, in fiction, in eloquence, seems to be a certain grace withoutgrandeur, and itself not new but derivative; a vase of fair outline, but empty,--which whoso sees, may fill with what wit and character is in him, but which does not, like the charged cloud, overflow with terrible beauty, and emit lightnings on all beholders.
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There is no way to success in art but to take off your coat, grind paint, and work like a digger on the railroad, all day and every day.
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Daughter of heaven and earth, coy Spring, With sudden passion languishing, Teaching barren moors to smile, Painting pictures mile on mile, Holds a cup of cowslip wreaths Whence a smokeless incense breathes.
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A painter told me that nobody could draw a tree without in some sort becoming a tree.
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The picture waits for my verdict; it is not to command me, but I am to settle its claim to praise.
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The best picture makes us say, I am a painter also.
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Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness,to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms.
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I suppose an entire cabinet of shells would be an expression of the whole human mind; a Flora of the whole globe would be so likewise, or a history of beasts; or a painting of all the aspects of the clouds. Everything is significant.
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Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called "silent poetry," and poetry "speaking painting." The laws of each art are convertible into the laws of every other.
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