Ragtime Quotes

On this page you will find all the quotes on the topic "Ragtime". There are currently 26 quotes in our collection about Ragtime. Discover the TOP 10 sayings about Ragtime!
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  • My appearance was always good and my ability to play on the piano, especially ragtime, which was then at the height of its vogue, made me a welcome guest.

    Play   Piano   Height  
    James Weldon Johnson (2012). “The Autobiography of an Ex-Colored Man”, p.111, Courier Corporation
  • The historian will tell you what happened. The novelist will tell you what it felt like.

    "Biography/ Personal Quotes". www.imdb.com.
  • Black musicians rhythmicized the contredanse, creating musical styles which evolved into the habanera (also known as the tango) and, later, ragtime, as well as the danza, danzón, and ultimately the danzón mambo and its offspring the cha-cha-chá.

    Creating   Style   Black  
  • It's always Jazz. You can put a new dress on her, a new hat, but no matter what kind of clothes she's the same old broad.

    Music   Clothes   Dresses  
  • You always want to be the person who doesn't need to be included, but it feels damn good to be among you people. My first Broadway show was Master Class, and I saw Audra McDonald. The one that sealed the deal was Ragtime, with Marin Mazzie. My first big role was with John Lithgow, and he taught me the ropes. Norm Lewis sang the night I met my husband. It makes me feel like I have a family.

  • The writer isn't made in a vacuum. Writers are witnesses. The reason we need writers is because we need witnesses to this terrifying century.

    Writing   Scary   Vacuums  
    Interview in "Writers at Work" (The Paris Review Interviews), 8th Series, 1988.
  • Once there was Louis Armstrong blowing his beautiful top in the muds of New Orleans; before him the mad musicians who had paraded on official days and broke up their Sousa marches into ragtime. Then there was swing, and Roy Eldridge, vigorous and virile, blasting the horn for everything it had in waves of power and logic and subtlety - leaning into it with glittering eyes and a lovely smile and sending it out broadcast to rock the jazz world.

    Jack Kerouac (1976). “On the Road”, p.241, Penguin
  • Good writing is supposed to evoke sensation in the reader - not the fact that it is raining, but the feeling of being rained upon.

    Nature   Rain   Writing  
  • What is scurrilously called ragtime is an invention that is here to stay. That is now conceded by all classes of musicians... All publication s masquerading under the name of ragtime are not the genuine article... That real ragtime of the higher class is rather difficult to play is a painful truth which most pianists have discovered. Syncopations are no indication of light or trashy music... Joplin ragtime is destroyed by careless or imperfect rendering, and very often players lost the effect entirely by playing too fast.

    Real   Player   Light  
  • Marching onward, marching onward Marching to that lovely tune Marching onward, marching onward Happy as a bird in June Sliding onward, sliding onward Listen to that rag Hop and skip now do that slow, oh Do that slow drag Dance slowly, prance slowly Now you hear that pretty rag Dance slowly, prance slowly Now you do the real slow drag Waltz slowly, waltz slowly Listen to the ragtime Hop and skip Now do the slow, oh, do the slow drag

    Real   June   Bird  
  • Improvisation was the blood and bone of jazz, and in the classic, New Orleans jazz it was collective improvisation in which each performer, seemingly going his own melodic way, played in harmony, dissonance, or counterpoint with the improvisations of his colleagues. Quite unlike ragtime, which was written down in many cases by its composers and could be repeated note for note (if not expression for expression) by others, jazz was a performer's not a composer's art.

  • Ragtime was my lullaby.

  • It proposed that human beings, by the act of making witness, warranted times and places for their existence other than the time and place they were living through.

    E.L. Doctorow (2013). “Ragtime, The March, and Homer & Langley: Three Bestselling Novels”, p.74, Random House
  • Ragtime was a fanfare for the 20th century.

  • It was evident to him that the world composed and recomposed itself constantly in an endless process of dissatisfaction.

    World   Process   Ragtime  
    E.L. Doctorow (2010). “Ragtime: A Novel”, p.91, Random House
  • Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.

    Writing   Night   Journey  
  • Behind innocence there gathers a clotted mass of superstition, of twisted and misdirected impulse; clandestine flirtation, fads, and ragtime fill the unventilated mind.

    Walter Lippmann, Clinton Rossiter, James Lare (1982). “The Essential Lippmann: A Political Philosophy for Liberal Democracy”, p.38, Harvard University Press
  • Because like all whores you value propriety. You are creature of capitalism, the ethics of which are so totally corrupt and hypocritical that your beauty is no more than the beauty of gold, which is to say false and cold and useless.

    Gold   Useless   Ethics  
    E.L. Doctorow (2013). “Ragtime, The March, and Homer & Langley: Three Bestselling Novels”, p.59, Random House
  • The ones that were relevant while I wrote my book were books like "Beloved" by Toni Morrison, which is based on a historical fact, "Ragtime" by E.L. Doctorow, and "True History of the Kelly Gang" by Peter Carey.

    Book   Historical   Facts  
    Source: www.bostonglobe.com
  • Syncopations are no indication of light or trashy music, and to shy bricks at 'hateful ragtime' no longer passes for musical culture.

    Light   Musical   Shy  
    Scott Joplin, Maurice Hinson (1990). “Scott Joplin at the Piano”, p.5, Alfred Music Publishing
  • Writing is a socially acceptable form of schizophrenia.

    Interview in "Writers at Work" (The Paris Review Interviews), 8th Series, 1988.
  • Don t play this piece fast. It is never right to play ragtime fast.

    Play   Pieces   Jazz  
    Victoria J. Theodore, Scott Joplin, Stanford University. Dept. of Music (1990). “The ragtime solo piano works of Scott Joplin: an analysis and performing edition of three pieces”
  • One day the 'Maple Leaf' will make me King of Ragtime Composers.

    Kings   One Day   Ragtime  
  • Roger (Kellaway) amazed us all. Blessed with great technique, he could play any style, from ragtime to space music. Whatever style he chose to play at the moment would be filled with wonderful surprises that kept the rest of us continually delighted.

    Blessed   Play   Space  
  • New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born.

  • I am often asked the question How can the masses permit themselves to be exploited by the few. The answer is By being persuaded to identify with them.

    E.L. Doctorow (2010). “Ragtime: A Novel”, p.66, Random House
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