J. G. Ballard Quotes About Art

We have collected for you the TOP of J. G. Ballard's best quotes about Art! Here are collected all the quotes about Art starting from the birthday of the Novelist – November 15, 1930! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 7 sayings of J. G. Ballard about Art. We will be happy if you share our collection of quotes with your friends on social networks!
  • Art exists because reality is neither real nor significant.

  • An arts degree is like a diploma in origami. And about as much use.

  • The surrealists, and the modern movement in painting as a whole, seemed to offer a key to the strange postwar world with its threat of nuclear war. The dislocations and ambiguities, in cubism and abstract art as well as the surrealists, reminded me of my childhood in Shanghai.

    "Age of unreason". Interview with Jeannette Baxter, www.theguardian.com. June 22, 2004.
  • Pop artists deal with the lowly trivia of possessions and equipment that the present generation is lugging along with it on its safari into the future.

  • Art is the principal way in which the human mind has tried to remake the world in a way that makes sense. The carefully edited, slow-motion, action replay of a rugby tackle, a car crash or a sex act has more significance than the original event. Thanks to virtual reality, we will soon be moving into a world where a heightened super-reality will consist entirely of action replays, and reality will therefore be all the more rich and meaningful.

    "JG Ballard: Theatre of Cruelty". Interview with Jean-Paul Coillard, www.jgballard.ca. 1998.
  • I don't think any particular painters have inspired me, except in a general sense. It was more a matter of corroboration. The visual arts, from Manet onwards, seemed far more open to change and experiment than the novel, though that's only partly the fault of the writers. There's something about the novel that resists innovation.

    "Age of unreason". Interview With Jeannette Baxter, www.theguardian.com. June 22, 2004.
  • I feel that, in a sense, the writer knows nothing any longer. He has no moral stance. He offers the reader the contents of his own head, a set of options and imaginative alternatives. His role is that of a scientist, whether on safari or in his laboratory, faced with an unknown terrain or subject. All he can do is to devise various hypotheses and test them against the facts.

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