Lidia Yuknavitch Quotes About Language

We have collected for you the TOP of Lidia Yuknavitch's best quotes about Language! Here are collected all the quotes about Language starting from the birthday of the Author – 1963! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 2 sayings of Lidia Yuknavitch about Language. We will be happy if you share our collection of quotes with your friends on social networks!
  • Poetry, for example, goes so deeply into the space between corporeal affect and deep emotion (even primal in some cases) that, as Emily Dickinson said, it can blow the top of your head off. Poetic language is sometimes misunderstood as "abstract" when in reality, it's precise - precisely the language of emotions and the body.

    Source: therumpus.net
  • Your life doesn’t happen in any kind of order. Events don’t have cause and effect relationships the way you wish they did. It’s all a series of fragments and repetitions and pattern formations. Language and water have this in common.

    Order   Water   Wish  
    Lidia Yuknavitch (2011). “The Chronology of Water: A Memoir”, p.15, Hawthorne Books
  • One of the reasons I love language is that concerning semiotics, language is an arbitrary sign system, which means the signs within it are free-floating, but we put them in a certain order to get them to have meaning for us. If we left them alone, they'd be like water, like the ocean. It would be just this vast field of free-floating matter or signs, so in this way, I think language and water have much in common. It's only us bringing grammar and syntax and diction and the human need for meaning that orders language, hierarchizes it.

    Ocean   Mean   Thinking  
    Source: therumpus.net
  • I'm in love with language again because Luke B. Goebel is not afraid to take us back through the gullet of loss into the chaos of words. Someone burns a manuscript in Texas; someone's speed sets a life on fire; a heart is beaten nearly to death, the road itself is the trip, a man is decreated back to his animal past--better, beyond ego, beautiful, and look: there's an American dreamscape left. There's a reason to go on.

  • I do have one regret though. I wish Kathy Acker was still alive. I wish I could go swim with her again. My literary indebtedness to her is enormous. She's a more important mother to me than anyone can possibly imagine. In language I became a daughter worth a crap because of her. In language I redefined daughter, woman, I became a writer. Dora is an homage of sorts.

    Source: therumpus.net
  • I work from the body - I try to develop a language of the body. I've invented a term I call "corporeal writing" around that idea. I love teaching and collaborating around this idea, because no new breakthrough in literature ever happened because everyone was doing what was already there.

    Source: therumpus.net
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