Nan Fairbrother Quotes

On this page you can find the TOP of Nan Fairbrother's best quotes! We hope you will find some sayings from Writer Nan Fairbrother's in our collection, which will inspire you to new achievements! There are currently 28 quotes on this page collected since 1913! Share our collection of quotes with your friends on social media so that they can find something to inspire them!
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  • Summer weather, like being in love,is a philosopher's stone which turns our ordinary days to gold. But not the whole day ... For it is never the whole day, never all our life which is transformed in any happiness, but only the exquisite moments.

    Nan Fairbrother (1954). “An English Year”
  • Most of us are experts at solving other people's problems, but we generally solve them in terms of our own and the advice we give is seldom for other people but for ourselves.

    Nan Fairbrother (1965). “The House”
  • Understanding, above all, is a gift we should never offer uninvited.

    Nan Fairbrother (1954). “An English Year”
  • The hardest of all is learning to be a well of affection, and not a fountain, to show them that we love them, not when we feel like it, but when they do.

    Nan Fairbrother (1954). “An English Year”
  • Every search has its own momentum. It is why a search makes such an excellent plot for a film or story.

    Nan Fairbrother (1965). “The House”
  • One of the many possible divisions of human beings is into those who make and those who use.

    Nan Fairbrother (1965). “The House”
  • Enthusiasm is a plant which grows variously in the varying soils of different natures.

    Nan Fairbrother (1965). “The House”
  • A garden is one of the few expressions of man's nature that is altogether benign.

  • The sorrows of children are profound and unsuspected.

  • We envy people we love for being always in their own loved company.

    Nan Fairbrother (1954). “An English Year”
  • If you would be happy all your life, plant a garden.

  • It is always one of the tragedies of any relationship, even between people sensitive to each other's moods, that the moments of emotion so rarely coincide.

    Nan Fairbrother (1954). “An English Year”
  • I have reached the stage now where luxury is not in fine possessions but in carefree possessions, and the greatest luxury of all would be the completely expendable.

    Nan Fairbrother (1965). “The House”
  • leisure is an attitude of mind, not simply remission of work.

    Nan Fairbrother (1965). “The House”
  • The sorrows we imagine are more profound and inconsolable than real life leaves us time for.

  • We love those we are happy with. We do. For how else can we know we love them, or how else define loving?

    Nan Fairbrother (1954). “An English Year”
  • the urgent crowds out the essential.

    Nan Fairbrother (1965). “The House”
  • children once settled and confident can mostly be left, it seems, to manage their difficulties without us. Only what we must do, always and unalterably, is hold their hand firmly in general goodwill, then they themselves seem to deal with their own particular troubles far better than we can.

  • when people go away, or when we leave the places we love, or something we treasure goes out of our life - I have always noticed that before it happens - this leaving, this parting - when we think about it beforehand we are overwhelmed with sadness at the loss to come. ... the most unbearable sense of loss, the worst homesickness of all, so I have found, is this loss and sickness we feel beforehand, before we ever leave home.

    Home   Sadness   Loss  
  • the large black slugs ... come out at dusk. Enormous slugs. As big as crocodiles. So huge we need a gun to shoot them. And by the end of the summer, if they go on growing, we shall have to go out in pairs together for protection.

  • Perhaps the way with any obsession is to ignore it simply. Not to fight it, since it draws strength from any contact with us, whether hostile or friendly.

    Nan Fairbrother (1954). “An English Year”
  • A collection of plants is not a landscape, any more than a list of choice words is a poem. The merit is in the design, not the material it is expressed in, and the best designs, like the best poems, make ordinary material significant by its arrangement.

    Nan Fairbrother (1974). “The nature of landscape design: as an art form, a craft, a social necessity”, Alfred A. Knopf
  • There is a stage with people we love when we are no longer separate from them, but so close in sympathy that we live through them as directly as through ourselves. ... we push back our hair because theirs is in their eyes.

    Nan Fairbrother (1954). “An English Year”
  • We are perverse creatures and never satisfied.

  • children are not undeveloped versions of adult people: they are a different race of beings: they are children.

  • As every real estate agent knows, a poor house in good surroundings will sell for a higher price than a better house in poor surroundings, and in a town they confidently ask 25 percent more rent for a flat with a view of a park that for an identical flat with no view.

  • ... garden books are quite unconscious that besides telling us how to turn our patch of earth into a garden, they are also expressing the way their age looks at the world, the state of their society.

  • happiness makes us older, less romantic, less in need of dreams. Discontent, not happiness, is the food of youth and poetry.

    Nan Fairbrother (1954). “An English Year”
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We hope you have found the saying you were looking for in our collection! At the moment, we have collected 28 quotes from the Writer Nan Fairbrother, starting from 1913! We periodically replenish our collection so that visitors of our website can always find inspirational quotes by authors from all over the world! Come back to us again!
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