Paule Marshall Quotes

On this page you can find the TOP of Paule Marshall's best quotes! We hope you will find some sayings from Author Paule Marshall's in our collection, which will inspire you to new achievements! There are currently 2 quotes on this page collected since April 9, 1929! Share our collection of quotes with your friends on social media so that they can find something to inspire them!
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  • We live surrounded by white images, and white in this world is synonymous with the good, light, beauty, success, so that, despite ourselves sometimes, we run after that whiteness and deny our darkness, which has been made into the symbol of all that is evil and inferior.

    Paule Marshall (1983). “Reena and Other Stories”, p.79, Feminist Press at CUNY
  • I realise that it is fashionable now to dismiss the traditional novel as something of an anachronism, but to me it is still a vital form. Not only does it allow for the kind of full-blown, richly detailed writing that I love . . . but it permits me to operate on many levels and to explore both the inner state of my characters as well as the worlds beyond them.

    Character   Writing   Doe  
  • I question whether I want to be integrated into America as it stands now, with its complacency and materialism, its soullessness.

    Paule Marshall (1983). “Reena and Other Stories”, p.90, Feminist Press at CUNY
  • A silenced Haiti has once again found its literary voice.

    Voice   Haiti   Found  
  • A person can run for years but sooner or later he has to take a stand in the place which, for better or worse, he calls home, and do what he can to change things there.

    Change   Running   Home  
    Paule Marshall (1983). “Reena and Other Stories”, p.206, Feminist Press at CUNY
  • Once a great wrong has been done, it never dies. People speak the words of peace, but their hearts do not forgive. Generations perform ceremonies of reconciliation but there is no end.

  • My very first lessons in the art of telling stories took place in the kitchen . . . my mother and three or four of her friends. . . told stories. . .with effortless art and technique. They were natural-born storytellers in the oral tradition.

    Mother   Art   Kitchen  
  • Perhaps she was both child and woman, darkness and light, past and present, life and death - all the opposites contained and reconciled in her.

    Children   Past   Light  
    Paule Marshall (1983). “Reena and Other Stories”, p.97, Feminist Press at CUNY
  • Sometimes a person has to go back, really back-to have a sense, an understanding of all that's gone to make them-before they can go forward.

    Paule Marshall (1983). “Reena and Other Stories”, p.206, Feminist Press at CUNY
  • But sometimes it's necessary to go back before you can go forward, really forward.

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