Thomas Bernhard Quotes

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  • We only really face up to ourselves when we are afraid.

  • All of living is nothing but a fervid attempt to move closer together.

    Thomas Bernhard (2010). “Gargoyles: A Novel”, p.40, Vintage
  • I avoid literature whenever possible, because whenever possible I avoid myself.

    Thomas Bernhard (1989). “Wittgenstein's nephew: a friendship”, Alfred a Knopf Inc
  • ...He was just scraps of words and dislocated phrases.

    Phrases   Scrap  
  • It would be wrong to refuse to face the fact that everything is fundamentally sick and sad.

    Sad   Sick   Novelists  
    Thomas Bernhard (2010). “Gargoyles: A Novel”, p.13, Vintage
  • I had to spend my entire childhood in the Altensam dungeon like an inmate doing time for no comprehensible reason, for a crime he can't remember committing, a judicial error probably.

    Thomas Bernhard (2013). “Correction: A Novel”, p.172, Vintage
  • Those who live in the country get idiotic in time, without noticing it, for a while they think it's original and good for their health, but life in the country is not original at all, for anyone who wasn't born in and for the country it shows a lack of taste and is only harmful to their health. The people who go walking in the country walk right into their own funeral in the country and at the very least they lead a grotesque existence which leads them first into idiocy, then into an absurd death.

    Thomas Bernhard (2010). “The Loser: A Novel”, p.28, Vintage
  • I did not want to be anything, and naturally I did not want to turn myself into a mere profession: all I ever wanted was to be myself.

    Want   Turns   Profession  
  • All my life I have had the utmost admiration for suicides. I have always considered them superior to me in every way.

    "Munich Airport by Greg Baxter review - good, old-fashioned existential angst" by Edward Docx, www.theguardian.com. July 9, 2014.
  • What is ridiculous about human beings, Doctor,' the prince said, 'is actually their total incapacity to be ridiculous

    Thomas Bernhard (2010). “Gargoyles: A Novel”, p.180, Vintage
  • On the other hand, whatever condition we are in, we must always do what we want to do ,and if we want to go on a journey, then we must do so and not worry about our condition, even if it's the worst possible condition, because, if it is, we're finished anyway, whether we go on the journey or not, and it's better to die having made the journey we've been longing for than to be stifled by our longing.

    Journey   Worry   Goes On  
    "Concrete".
  • We publish only to satisfy out craving for fame; there's no other motive except the even baser one of making money.

    Thomas Bernhard (2013). “Concrete”, p.20, Faber & Faber
  • You've always lived a life of pretense, not a real life-- a simulated existence, not a genuine existence. Everything about you, everything you are, has always been pretense, never genuine, never real.

    Thomas Bernhard (2011). “Woodcutters”, p.41, Faber & Faber
  • We Can Only Exist By Taking Our Minds Off The Fact That We Exist

    Mind   Facts  
  • ...we ask: Why suicide? We search for reasons, causes, and so on.... We follow the course of the life he has now so suddenly terminated as far back as we can. For days we are preoccupied with the question: Why suicide? We recollect details. And yet we must say that everything in the suicide's life- for now we know that all his life he was a suicide, led a suicide's existence- is part of the cause, the reason, for his suicide.

  • After all, there is nothing but failure.

    Anime  
    Thomas Bernhard (1991). “Yes”, p.35, University of Chicago Press
  • everything is ridiculous if one thinks of death

    Thomas Bernhard (2010). “The Loser: A Novel”, p.189, Vintage
  • perfidious society masturbators

    Thomas Bernhard (2013). “Woodcutters”, p.85, Vintage
  • Women were like rivers, their banks were unreachable, the night often rang with the cries of the drowned.

  • Only when I am by seawater can I truly breathe, to say nothing of my ability to think.

  • The study of sickness is the most poetic of the sciences.

    Study   Poetic   Sickness  
  • I really only write about inner landscapes and most people don't see them, because they see practically nothing within, because they think that because it's inside, it's dark, and so they don't see anything. I don't think I've ever yet, in any of my books, described a landscape. There's really nothing of the kind in any of them. I only ever write concepts. And so I'm always referring to "mountains" or "a city" or "streets." But as to how they look: I've never produced a description of a landscape. That's never even interested me.

    Book   Writing   Dark  
  • Very often we write down a sentence too early, then another too late; what we have to do is write it down at the proper time, otherwise it's lost.

    Thomas Bernhard (2013). “Concrete”, p.81, Faber & Faber
  • We must allow ourselves to think, we must dare to think, even though we fail. It is in the nature of things that we always fail, because we suddenly find it impossible to order our thoughts, because the process of thinking requires us to consider every thought there is, every possible thought. Fundamentally we have always failed, like all the others, whoever they were, even the greatest minds. At some point, they suddenly failed and their system collapsed, as is proved by their writings, which we admire because they venture farthest into failure. To think is to fail, I thought.

    Thomas Bernhard (2013). “Extinction: A Novel”, p.187, Vintage
  • In theory we understand people, but in practice we can't put up with them, I thought, deal with them for the most part reluctantly and always treat them from our point of view. We should observe and treat people not from our point of view but from all angles, I thought, associate with them in such a way that we can say we associate with them so to speak in a completely unbiased way, which however isn't possible, since we actually are always biased against everybody.

    Practice   Views   People  
  • Everyone, he went on, speaks a language he does not understand, but which now and then is understood by others. That is enough to permit one to exist and at least to be misunderstood.

  • Everyone is a virtuoso on his own instrument, but together they add up to an intolerable cacophony.

    Thomas Bernhard (2013). “Concrete”, p.61, Faber & Faber
  • Toda idea, al fin y al cabo, es una idea demencial.

    Ideas   Cabo   Als  
  • One day you're cut off, at the very start you're cut off and can't go back, the language you learn and the whole business of walking and all the rest is for the sake of the single thought, how to get back again.

    Cutting   One Day   Sake  
    Thomas Bernhard (1991). “On the mountain: rescue attempt, nonsense”
  • The thinking man always finds himself in a gigantic orphanage in which people are continually proving to him that he has no parents.

    Men   Thinking   People  
    Thomas Bernhard (2010). “Gargoyles: A Novel”, p.173, Vintage
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We hope you have found the saying you were looking for in our collection! At the moment, we have collected 4 quotes from the Novelist Thomas Bernhard, starting from February 9, 1931! We periodically replenish our collection so that visitors of our website can always find inspirational quotes by authors from all over the world! Come back to us again!
Thomas Bernhard quotes about: Walking Writing