Foreground Quotes
The best sayings about Foreground that you can share on Instagram, Pinterest, Facebook and other social networks!
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What I need is perspective. The illusion of depth, created by a frame, the arrangement of shapes on a flat surface. Perspective is necessary. Otherwise there are only two dimensions. Otherwise you live with your face squashed up against a wall, everything a huge foreground, of details, close-ups, hairs, the weave of the bedsheet, the molecules of the face. Your own skin like a map, a diagram of futility, criscrossed with tiny roads that lead nowhere. Otherwise you live in the moment. Which is not where I want to be.
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Extreme sport has only ever been about goals and the ways to achieve these goals. Adrenaline plays a part, but it's never in the foreground.
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There is no foreground or background, only a continuity of interlacing relationships
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I am glad you encouraged me with the 'Stoke' [his painting 'Stoke-by-Nayland', circa 1835] What say you to a summer morning? July or August, at eight or nine o'clock, after a slight shower during the night, to enhance the dews in the shadowed part of the picture, under 'Hedge row elms and hillocks green.' Then the plough, cart, horse, gate, cows, donkey, &c. are all good paintable material for the foreground, and the size of the canvas sufficient to try one's strength, and keep one at full collar.
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We have as many planes of speech as does a painting planes of perspective which create perspective in a phrase. The most important word stands out most vividly defined in the very foreground of the sound plane. Less important words create a series of deeper planes.
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The foreground in a picture is always unattractive... Art demands that the interest of the canvas should be placed in the far distance, where lies take refuge, those dreams which blossom out of fact and are man's only love.
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I never work with music. I hate background music, always did. I only like music in the foreground, meaning, deliberately listen to it, actually.
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This book will prove the following ten facts: 1. A Goon is a being who melts into the foreground and sticks there. 2. Pigs have wings, making them hard to catch. 3. All power corrupts, but we need electricity. 4. When an irresistible force meets an immovable object, the result is a family fight. 5. Music does not always sooth the troubled beast. 6. An Englishman's home is his castle. 7. The female of the species is more deadly than the male. 8. One black eye deserves another. 9. Space is the final frontier, and so is the sewage farm. 10. It pays to increase your word power.
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It's very important in a leadership role not to place your ego at the foreground and not to judge everything in relationship to how your ego is fed.
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Any active sportsman has to be very focused; you've got to be in the right frame of mind. If your energy is diverted in various directions, you do not achieve the results. I need to know when to switch on and switch off: and the rest of the things happen around that. Cricket is in the foreground, the rest is in the background.
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If character is the foreground of fiction, setting is the background, and as in a painting's composition, the foreground may be in harmony or in conflict with the background.
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There is in my work a very strong religious foreground and background. In the later work some of that tends to diminish, but it's certainly present in the early work.
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A background can be painted in the same range of values as the foreground by reversing the light effect. In the shadow plane, paint the lights cool and the shadows warm, and in the sunlight plane, paint the lights warm and shadows cool.
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The finest landscape in the world is improved by a good inn in the foreground.
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One of the important things about religion is that it is a sphere which is partially protected from selection. Religious creativity occurs when people pull out of the whole selectivity issue. Becoming celibate - obviously you couldn't be less selective that that. Yes, selection is always in the background. But it's not always there in the foreground. If you don't understand that, you're missing a lot.
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The cloud controls the light ... It is the cloud that, holding the sun's rays in a sheaf as a giant holds a handful of spears, strikes the horizon, touches the extreme edge with a delicate revelation of light, or suddenly puts it out and makes the foreground shine.
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With humans you would say, "Don't stand over there." and that would probably work. With puppets, you can't stand over there because you would see the guy underneath. So it is a lot of foreground stuff.
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I've gradually risen from lower-class background to lower-class foreground.
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At that time [90th in Lagos], if you drove through the city, you drove through a foreground that always seemed to be incredibly dramatic and incredibly agonised - smoking, burning, incredible compression. In the first year we stayed on the ground and went everywhere. But then in order to discover whether this was the whole story, we rented a helicopter. And we began to understand that this is not chaos but a highly modern system that had been abandoned, then at some point went into reversal, then slowly came out of it.
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It's a foreground of my feeling. That place moves me. And I don't mean my country; it's part of our shared natural world that happens to be particular to a sense of wherever my storytelling inclinations come from and my own history of kind of being a road rat and travelling.
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So much of my work is defined by the difference between the figure in the foreground and the background. Very early in my career, I asked myself, "What is that difference?" I started looking at the way that a figure in the foreground works in eighteenth- and nineteenth-century European paintings and saw how much has to do with what the figure owns or possesses. I wanted to break away from that sense in which there's the house, the wife, and the cattle, all depicted in equal measure behind the sitter.
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The ultimate dreamer is Vishnu floating on the cosmic Milky Ocean, couched upon the coils of the abyssal serpent Ananta, the meaning of whose name is Unending. In the foreground stand the five Pandava brothers, heroes of the epic Mahabharata, with Draupadi, their wife: allegorically, she is the mind and they are the five senses.
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If there's no background, no foreground, no opposition, no complements, then there's no change becasue there's no subject and object.
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Investigations during the last few decades have brought hydrogen instead of carbon, and instead of CO2 water, the mother of all life, into the foreground.
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The creative artist seems to be almost the only kind of man that you could never meet on neutral ground. You can only meet him as an artist. He sees nothing objectively because his own ego is always in the foreground of every picture
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I have formed a very clear conception of patriotism. I have generally found it thrust into the foreground by some fellow who has something to hide in the background. I have seen a great deal of patriotism; and I have generally found it the last refuge of the scoundrel.
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Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
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Start with the foreground. Compositions fail when the foreground is treated as an afterthought.
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N.T. Wright foregrounds what the Bible backgrounds, and backgrounds what the Bible foregrounds
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I get told I'm a confessional songwriter, which gets on my tits because I think of negative connotations attached to the word "confessional". I don't like the idea of songwriting being therapy. I don't want to put myself so directly in the foreground.
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Top Authors
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