Gospel Music Quotes
The best sayings about Gospel Music that you can share on Instagram, Pinterest, Facebook and other social networks!
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I would urge a young player to listen to Charlie Christians' sense of time ... I'll never forget listening to my father (Bucky Pizzarelli) and Tal Farlow playing Christians' 'Solo Flight' backstage at a gig... that's when it hit me how big of an effect Christian had on jazz guitar. 'Solo Flight' was like the gospel.
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A lot of the commercial expression of hip-hop leaves a lot to be desired - but then, there's a lot of whack gospel music, but I'm not leading a crusade against it. Of course, the vices of hip-hop are far more influential, I understand. But the good that hip-hop transmits, the power of the culture to rally the best of our protest, and uplift, and resistance, traditions, is often unfairly overlooked.
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Gospel music is so ingrained into my bones. I can't do a concert without singing a gospel song. It's what I was raised on.
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Gospel music in those days of the early 1930s was really taking wing. It was the kind of music colored people had left behind them down South and they liked it because it was just like a letter from home.
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My interest in gospel music and liturgical art and Biblically-inspired literature has nothing to do with organised religion and everything to do with human beings trying to figure out their place on this planet.
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It just took the right time. I was fully confident that I was going to see Sam Phillips and to record for him that when I called him, I thought, I'm going to get on Sun Records. So I called him and he turned me down flat. Then two weeks later, I got turned down again. He told me over the phone that he couldn't sell gospel music so - as it was independent, not a lot of money.
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I listen to gospel music.
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It's always made me feel odd when I'd get a Dove Award for an instrumental album that has nothing to do with gospel. When I think of gospel music, I think of spreading the Good News with words. But maybe it's just because I was heralded once upon a time as one of theirs. The category of instrumental music seems sort of important to the big picture, but I felt a little embarrassed at the same time.
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Everybody's looking for some kind of authenticity in music. Or some kind of truism, you know, "This is true!" And the thing about gospel music is, these people are singing about their faith. So it always comes across with, as authentic, you know? Gospel choirs put across this amazing sound but they're singing from the heart because they truly believe it. And I kind of have that faith, but I just have that faith in music.
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I feel most alive when I'm singing along to old gospel music.
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I'm very interested in religion and different religions, and I know quite a lot about it. I love gospel music, and I love going to churches, but the one drawback is that I don't actually believe in God. And it is quite a handicap, you know.
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I'm associated with gospel music in the minds of millions of people.
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And different traditions stress different - so then there's that. I talked to an African American who says before she goes into an interracial church, she sits in her car and she listens to gospel music to get her fill, and she goes into an interracial church where they don't do gospel music, and she's ready to accept the other sorts of ways of worshipping. So there's that.
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When I think about a Chicago sound, I think about the Great Migration from the South. Many of Chicago's black artists are from Mississippi, Arkansas, and with them was brought blues and gospel music.
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My mother always told me, even if a song has been done a thousand times, you can still bring something of your own to it. I'd like to think I did that.
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My childhood was limited to mostly gospel music. We didn't have, like, a lot of records in our house, you know. It was like my grandparents who raised me. They were pretty old-fashioned in their religious ways, so it was like church, church, church, school, school, school.
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A lot of blues music seems like it's moving away from God, or the center, and Gospel music is moving towards it. It's embracing a higher reality. When you look a little closer, the way that I define it or explain it, is that the blues is the naked cry of the human heart, apart from God. People are searching for union with God. They're searching to be home. There's something in people that seeks this union with their creator. Why am I here? Where am I going? What's it all about? Who am I? All this kind of stuff.
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In spite of calamity, He still has a plan for me, And it's working for my good, And it's building my testimony.
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When I did the Abyssinian mass, I went through the whole history of the church music and the gospel music, even with the Anglo American hymns, the Afro American hymns, the spirituals and how it developed, up to Thomas Dorsey and the Dixie Hummingbirds, going through the history of the music, jazz musicians.
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My heart is still there in gospel music. It never left . . . I'm gonna make a gospel record and tell Jesus I cannot bear these burdens alone.
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It is easy to be independent when you've got money. But to be independent when you haven't got a thing, that's the Lord's test.
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I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.
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I used to listen to so much doo-wop, and I've talked a lot about gospel music, but I realised a lot of that language came from doo-wop music. You know, "I Asked the Lord Above," "Heaven Sent Me an Angel." That's rock-'n-roll, and that's where a lot of this language is coming from. Also, I've said before that as soon as you start having a conversation with Jesus in a song you know you're dealing with issues of morality and how fragile it is to be human. It's a shortcut to putting those ideas across.
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Rock and roll came in and changed my life and changed the whole music scene forever, and then I grew to love R&B and Motown and all black music, gospel music. But I never dismiss any form of music. I listen to everything.
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My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.
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I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.
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My greatest desire is that you would encounter His presence; and everything about your life would be different.
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From the church I received a spiritual foundation that has kept me balanced. From the gospel music I learned the importance of singing with emotion- authentic emotion- not contrived- which has made my music endearing.
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I would think, to me, growing up in the south, growing up with all the gospel music, singing in the church and having that rhythm and blues - the blues background was my big inspiration.
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And whether you're drawn to gospel music or church music or honky-tonk music, it informs your character and it informs your talent.
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Top Authors
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Ed Begley, Jr. Actor -
Edward Furlong Actor -
Edmund Snow Carpenter Anthropologist -
E. J. Hughes Artist -
Edgar Degas Artist -
Edgar Steele Attorney -
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Eleanor Catton Author -
Durwood Merrill Baseball Umpire -
Edmund Rouse Businessman
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Edwaard Liang Choreographer -
Edmund Berkeley Computer Scientist -
Edward V. Long Former United States Senator -
Ed Bliss Journalist
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Edmund Capon Museum director -
Edward Dahlberg Novelist -
Edgar Guest Poet -
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Ed Crane Political activist -
Eli Attie Producer -
Edmund Bourne Psychologist -
Edith Piaf Singer -
E. C. Myers Writer
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