Self Portrait Photography Quotes
The best sayings about Self Portrait Photography that you can share on Instagram, Pinterest, Facebook and other social networks!
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When I did my self-portrait, I left all the pimples out because you always should. Pimples are a temporary condition and they don't have anything to do with what you really look like. Always omit the blemishes-they're not part of the good picture you want.
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Bruheem kol dumuyay eloha! Blessed are all God's self-portraits.
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An act of naming should quite rightly enable me to call any-thing a self-portrait, not only any drawing, 'portrait' or not, but everything that happens to me, that I can affect, or that affects me.
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Painting self-portraits without clothes on has also given me some publicity.
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I've heard many times that with all good artists it's ultimately a self-portrait even if it's an abstraction. I feel my work is very much who I am. I didn't try to make it that way; it just is. It reflects who I am and also my interests.
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I am living a new and exalted life of late. It steeps me in a sacred rapture to see a portrait develop and take soul under my hand. First, I throw off a study - just a mere study, a few apparently random lines - and to look at it you would hardly ever suspect who it was going to be; even I cannot tell, myself.
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your handwriting. the way you walk. which china pattern you choose. it's all giving you away. everything you do shows your hand. everything is a self portrait. everything is a diary.
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In a sense, every work you do is a self-portrait because your paintings always reveal more about you than about your subject. Your experience of something, not the something itself, is the true underlying subject of every work you do.
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I paint self-portraits because I am so often alone, because I am the person I know best.
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The selfie era offers a big opening: everybody can do it; nowadays even five-year-olds know how to take a nude self-portrait.
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I imagine John Watson thinks love’s a mystery to me, but the chemistry is incredibly simple and very destructive. When we first met, you told me that a disguise is always a self portrait, how true of you, the combination to your safe – your measurements. But this is far more intimate. This is your heart, and you should never let it rule your head. You could have chosen any random number and walked out of here today with everything you worked for. But you just couldn’t resist it, could you? I’ve always assumed that love is a dangerous disadvantage. Thank you for the final proof.
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Everyone thinks these are self-portraits but they aren't meant to be. I just use myself as a model because I know I can push myself to extremes, make each shot as ugly or goofy or silly as possible.
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Understand this: we are both tiny and massive. We are nothing more than molded clay given breath, but we are nothing less than divine self-portraits, huffing and puffing along the mountain ranges of epic narrative arcs prepared for us by the Infinite Word Himself.
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Bodybuilding is an art, your body is the canvas, weights are your brush and nutrition is your paint. We all have the ability to turn a self portrait into a masterpiece.
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I feel I'm anonymous in my work. When I look at the pictures, I never see myself; they aren't self-portraits. Sometimes I disappear.
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I loathe my own face, and I've done self-portraits because I've had nobody else to do.
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I have never painted a self-portrait. I am less interested in myself as a subject for a painting than I am in other people, above all women... There is nothing special about me. I am a painter who paints day after day from morning to night... Who ever wants to know something about me... ought to look carefully at my pictures.
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I always take a close look at those who lose themselves in self portraits. They are solitary souls, prone to introspection, who have really grappled with their existence.
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Painting has always been a means of self-expression for me. Therefore, I paint because I have to and need to, not necessarily because I want to. Subconsciously or not, the figures I paint are a reflection of myself and whatever mood I am in at the time, so every painting is in essence a self-portrait.
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The self-portrait is an act of objectifying the self and in that regard is a unique form of portraiture.
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I have read all of Daniel Aaron's books, and admired them, but in The Americanist I believe he has composed an intellectual and social memoir for which he will be remembered. His self-portrait is marked by personal tact and admirable restraint: he is and is not its subject. The Americanist is a vision of otherness: literary and academic friends and acquaintances, here and abroad. Eloquently phrased and free of nostalgia, it catches a lost world that yet engendered much of our own.
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Unless you try to do something beyond what you have already mastered, you will never grow. Every job is a self portrait of the person who did it ... Autograph your work with excellence.
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I think self-portraits are very difficult. I’ve always seen mine as straightforward, very stripped down, hair pulled back. No shirt. Whatever light happened to be available. I’d want it to be very graphic – about darkness and light. No one else should be there, but I’m scared to do it by myself. I’ve been thinking about it for a long time. The whole idea of a self-portrait is strange. I’m so strongly linked to how I see through the camera that to get to the other side of it would be difficult. It would be as if I were taking a photograph in the dark.
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The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
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Taking photographs is generally an act of 'looking at the object, whereas 'being seen' or 'showing' is what is most interest to one who does a self-portrait...self-portraits deny not only photography itself but the 20th century as an era as well...an inevitable phenomenon at the end of the 20th century.
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Because every book of art, be it a poem or a cupola, is understandably a self-portrait of its author, we won't strain ourselves too hard trying to distinguish between the author's persona and the poem's lyrical hero. As a rule, such distinctions are quite meaningless, if only because a lyrical hero is invariably an author's self-projection.
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Everything is a self-portrait. A diary. Your whole drug history’s in a strand of your hair. Your fingernails. The forensic details. The lining of your stomach is a document. The calluses on your hand tell all your secrets. Your teeth give you away. Your accent. The wrinkles around your mouth and eyes. Everything you do shows your hand.
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Unless you try to do something beyond what you have already mastered, you will never grow.
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My portraits are more about me than they are about the people I photograph.
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It says in the Bible, in plain words, that God made a self-portrait. He created man in His own image - man and woman - for God is Love.Why should we start thinking of a god up in the clouds with wings, if He dwells within us in the spirit of Love?!
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