Timbre Quotes
The best sayings about Timbre that you can share on Instagram, Pinterest, Facebook and other social networks!
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Grand telegraphic discovery today … Transmitted vocal sounds for the first time ... With some further modification I hope we may be enabled to distinguish … the “timbre” of the sound. Should this be so, conversation viva voce by telegraph will be a fait accompli.
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Let me guess,” Eli said, his voice that low, even timbre, as always. “Drinking from kegs also falls under outdoor activity.” I just looked at him, standing there in jeans and the same blue hoodie he’d had on the first time I met him. Maybe it was the embarrassment, which had been bad enough before I had an audience, but I was instantly annoyed. I said, “Are we outside?” He glanced round, as if needing to confirm this. “Nope.” “Then no.” I turned my attention back to the keg.
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The problem with clichés is not that they contain false ideas, but rather that they are superficial articulations of very good ones...If...we are obliged to create our own language, it is because there are dimensions to ourselves absent from clichés, which require us to flout etiquette in order to convey with greater accuracy the distinctive timbre of our thought.
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I couldn't think of anything to say. I was idiotically entranced by the way he said "Grace." The tone of it. The way his lips formed the vowels. The timbre of his voice stuck in my head like music.
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You must find the right voice (or voices) for the timbre that can convince a reader to give himself up to you.
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The truly miserable have a timbre in their voices strong enough to erase smiles from the faces and souls of the contented.
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Music has always been important to me. Rhythm, in particular, features in most of the things I do. I stumbled recently upon an old notebook in which I'd written, 'Touch, timing and timbre... keys to the heart.' That just about says it all.
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The force of what was called Panther rhetoric or word mongering resided not in elegant discourse but in strength of affirmation (or denial), in anger of tone and timbre. When the anger led to action there was no turgidity or over-emphasis. Anyone who has witnessed political rows among the Whites will have to admit that the Whites aren't overburdened with poetic imagination.
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„You,” the female on the bed said, her timbre shaded with irrittion. „New guy. Angel Boy. Colonel Curls, or whatever you want to be called. I'm done asking, so now I'm commanding. Free me.
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There are things about how a note sounds on a violin that are really analogous to the human voice - you have a frequency and the air, and then you have a timbre which really is overtones - and making those things work together is one thing. The other thing is mechanical: If you can use your hands and arms to create sound on a fiddle, then learning to sing with it is like adding a third body part. And it's all training.
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There is a timbre of voice that comes from not being heard and knowing / you are not being heard / noticed only by others / not heard for the same reason.
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Voice is the je ne sais quoi of spirited writing. It separates brochures and brilliance, memo and memoir, a ship's log and The Old Man and the Sea. The best writers stamp prose with their own distinctive personality; their timbre and tone are as recognizable as their voices on the phone. To cultivate voice, you must listen for the music of language-the vernacular, the syntactic tics, the cadences.
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A certain color tones you up. It's the concentration of timbres.
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Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep, and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
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A poet is a combination of an instrument and a human being in one person, with the former gradually taking over the latter. The sensation of this takeover is responsible for timbre; the realization of it, for destiny.
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To be part of Kevin's [Drew] world, "Who Came First" is just kind of a magical symphony. If you're asking me what that emotional timbre what is my favorite, my favorite "why" is the question. The other songs also have a revealing quality, but it started with "Sister OK".
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It's a soft-sounding word, 'never,' but its velvety timbre can't hide its sharp edges...Never pressed down on him. It grabbed him by the neck and shook him. He sucked in a deep breath, sucked in all that never and started to sneeze. Never filled his nose, his eyes, his soaking fur.
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For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
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Within the context of Western music, jazz has always contained certain radical or revolutionary aspects. These are: improvisation, collective composition and individuality or the personal sound (based on amazing variations in sonority, timbre and pitch).
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I love to work with Julia [Holter] because our voices have a similar timbre, and she's very unique. She finds very avant-garde harmonies that I adore.
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Some things cannot be spoken or discovered until we have been stuck, incapacitated, or blown off course for a while. Plain sailing is pleasant, but you are not going to explore many unknown realms that way. We articulate the truth of a situation by carrying the whole experience in the voice and allowing the process to blossom of its own accord. Out of the cross-grain of experience appears a voice that not only sums up the process we have gone through, but allows the soul to recognize in its timbre, the color, texture, and complicated entanglements of being alive.
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Words when spoken out loud for the sake of performance are music. They have rhythm and pitch and timbre and volume. These are the properties of music and music has the ability to find us and move us and lift us up in ways that literal meaning can't.
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Lennon's was one of the first voices I emulated when I began to sing. When we held tryouts in my pal's dad's living room for the singer in our band, I sang a Beatles song that Lennon sang. There is something about the timbre of his voice, something that it conveys, that still gets to me. The quality and the poetry of his lyrics. The wry sense of humor. And the boyishness, in the beginning. There are a great many things that touch me about him... Lennon was, to put it in his own words, a 'working-class hero.'
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I sometimes wish taste wasn't ever an issue, and the sounds of instruments or synths could be judged solely on their colour and timbre. Judged by what it did to your ears, rather than what its historical use reminds you of.
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Shh. Listen to the sounds that surround you. Notice the pitches, the volume, the timbre, the many lines of counterpoint. As light taught Monet to paint, the earth may be teaching you music.
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There is no one part of the brain which recognizes or responds emotionally to music. Instead, there are many different parts responding to different aspects of music: to pitch, to frequency, to timbre, to tonal intervals, to consonance, to dissonance, to rhythm, to melodic contour, to harmony.
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What separates great jazz musicians from average ones is Taste. Those who have taste consistently choose notes, tempos, timbres and voicings that seduce and satisfy attentive listeners.
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Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm.
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The emotional, physical and aesthetic value of a sound is linked not only to the causal explanation we attribute to it but also to its own qualities of timbre and texture, to its own personal vibration. So just as directors and cinematographers (even those who will never make abstract films) have everything to gain by refining their knowledge of visual materials and textures, we can similarly benefit from disciplined attention to the inherent qualities of sounds.
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I think people are complacent about sound, because we're so limited by the textures and timbres we hear in music, but in our everyday life we hear the most incredible things.
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Top Authors
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