Hollywood Films Quotes

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  • I've met big-name actors doing Hollywood films, and they've said that all they want is an in at HBO and their own show.

    Biography/Personal Quotes, www.imdb.com.
  • Keep your friends close, but your enemies closer.

    The Godfather: Part II (motion picture) (1974). Coauthored with Francis Ford Coppola.
  • I am a hybrid. I do independent films and also do Hollywood films - I love them both.

    "Spike Lee Talks Obama, the End of Mookie's Brooklyn, and the Hollywood Color Line". Interview with Will Leitch, www.vulture.com. July 8, 2012.
  • I do like musical films more than big Hollywood films, especially those by Jacques Demi and Vincent Minelli.

  • A few of my books, over the years, have been optioned for film. The subject matter of my books, however, is not exactly conducive to Hollywood film treatment. If and when a 'big-budget' film is ever made based on one of my books, my fans and I will more than likely loathe it because it won't be true to its source. That's almost a given.

    Book   Years   Ifs And  
  • I think there is an immense charm and humanity about the Bollywood structure, probably in the way there was about Hollywood film in the '30s and '40s. Somehow they were less distracted about hardware, and more about production values and people, you know?

    "Biography/ Personal Quotes". www.imdb.com.
  • Carpe diem. (Seize the day.)

    Movie   Wise   Latin  
    Horace, Jeffrey H. Kaimowitz (2008). “The Odes of Horace”, p.27, JHU Press
  • The problem for independent filmmakers is that huge companies control all the promotion, all the advertising. Hollywood films' advertising budgets are as large as their shooting budgets.

    "Can the Corporate Media Turn Lies Into Truth?". Interview with Mark Karlin, www.scoop.co.nz. August 12, 2011.
  • As far as film goes, I enjoy all Hollywood films and all Horror films like The Bride of Frankenstein, which also might be my favorite. I like 60's and 70's Italian and Spanish Horror films.

    FaceBook post by Johnny Ramone from Sep 19, 2014
  • You have more and more people coming into the tent with the creative guys [on Hollywood films]. You have marketing and concept testers, advertising people. What you find gets the high numbers is easily appealing subjects: a baby, a big broad joke, a high concept. Everything is tested. The effect is to lessen the gamble, but in fact you destroy a writer's confidence and creativity once so many people are invited into the tent.

  • It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.

    "Jessica Chastain Wants More Female Protagonists: 'Where is the Scarlett Johansson Superhero Movie?'" by Inkoo Kang, www.indiewire.com. September 3, 2014.
  • In an ideal world, I'd bounce between big projects and no-budget TV dramas with fantastic scripts. A lot of Hollywood films tend to be bloated, bombastic, loud. At the same time, I do like the infrastructure of making a blockbuster; it's like having a big train set.

    Biography/Personal Quotes, www.imdb.com.
  • I grew up with a lot of Hollywood films. Cozy farm houses, cowboys, nice flats in New York. Especially as a kid, those things have a huge impression on you.

    New York   Nice   Kids  
    "Andrea Arnold on her mesmerizing party on wheels, American Honey". Interview with Esther Zuckerman, www.avclub.com. September 30, 2016.
  • I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

  • Being an American means never having to say you're sorry.

    Love   Movie   Romantic  
    Kurt Vonnegut (1997). “Hocus Pocus”, p.70, Penguin
  • You can't handle the truth!

  • Hollywood films have become a cesspool of formula and it's up to us to try to change it... I feel like a preacher! But it's really true. I feel personally responsible for the future of American cinema. Me personally.

  • Vasectomy means never having to say you're sorry.

    Love   Movie   Romantic  
    Larry Adler, Philip Judge (1994). “Me and My Big Mouth”, Blake Pub
  • One can't imagine a Hollywood film whose entire purpose was to ridicule, say, homosexual activists, feminists, animal rights crusaders, or environmentalists. That would be blasphemy. Hollywood understands that religious people, particularly Christians, are the last group in America besides businessmen who may be defamed with impunity.

    K. Lloyd Billingsley (1999). “The Seductive Image: Cinema and the Christian Faith”, p.119, Wipf and Stock Publishers
  • I'm going to make him an offer he can't refuse.

    "Fictional character: Don Vito Corleone". "The Godfather", www.imdb.com. March 14, 1972.
  • When they were making black films in the '60s and the '70s, everyone knew their place, if you get my drift. You understand? Everyone knew the rules, and everyone knew their place. Everyone knew what to say. They had the written rules in Hollywood film, and the unwritten rules.

  • Astonishing times. Who would have imagined that the Crazy Gang would yield a Hollywood film star (Vinny Jones), a British television ever-present (John Fashanu) and now a televised African dance champion?

    Soccer   Football   Stars  
  • Hollywood films are alienating to the spectator because they use too much dialogue, too much explication and leave no space for the viewer. They depress me. I use direct sound, mono not stereo. Just direct sound, so for every shot there are only two sources. Sound creates an intimate effect: the sensation to feel the place. It makes the viewer enter. You have the liberty to hear what you want.

    "French Director Bruno Dumont on Outside Satan: 'No God but Cinema'". Interview with Karin Badt, www.huffingtonpost.com. November 21, 2011.
  • Mrs. Robinson, you're trying to seduce me... aren't you?

  • To say "I accept" in an age like our own is to say that you accept concentration-camps, rubber truncheons, Hitler, Stalin, bombs, aeroplanes, tinned food, machine guns, putsches, purges, slogans, Bedaux belts, gas-masks, submarines, spies, provocateurs, press-censorship, secret prisons, aspirins, Hollywood films and political murder.

    George Orwell (1970). “A Collection of Essays”, p.218, Houghton Mifflin Harcourt
  • But it's a strange thing when people judge you because you're not doing some big Hollywood film. Are you suggesting I should be in The Dukes of Hazzard? I mean, hello?

    "Biography/ Personal Quotes". www.imdb.com.
  • I'll make him an offer he can't refuse.

    The Godfather ch. 1 (1969)
  • Hollywood films are alienating to the spectator because they use too much dialogue, too much explication and leave no space for the viewer. They depress me.

    "French Director Bruno Dumont on Outside Satan : 'No God but Cinema'” by Karin Badt, www.huffingtonpost.com. November 21, 2011.
  • I have friends who are leading men, and they're only ever allowed to play leading men of a certain type. But as a character actor, there's a wider variety of projects available. On the big Hollywood films, all they care about is having their lead in place, so it's actually easier for someone like me to slip in. And I'm happy to do so.

    Character   Men   Play  
  • The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

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