House Music Quotes
The best sayings about House Music that you can share on Instagram, Pinterest, Facebook and other social networks!
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The idea of dancing to bad house music is something I could never get behind.
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I am taking my production style more into the world of dub. I mean true dub production techniques but in house music.
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In Hamburg, there are three major orchestras, an opera house, and one of the great concert-hall acoustics in Europe at the Laeiszhalle, in a town a fifth the size of London. And that's not unusual. In Germany, there are dozens of towns with two or three orchestras. The connection with music goes very, very deep.
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House music originated in America, and it has always been around, but I guess it just got a tighter hold on Europe and other parts of the world.
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Obviously, it's had a huge effect on repetitive music or dance music or house music. Ambient in the last ten years has infiltrated into all those repetitive musics. I don't know what part it plays in pop necessarily but I'm sure there's some connection. But in all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience. I think it's infiltrated that pretty heavily.
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I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.
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I used to be with a publishing house called Roosevelt Music. A gentleman there told me he had seen Peggy Lee perform Fever in Las Vegas and I found out later she wanted to record it.
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I listen to a lot of different music. I love hip-hop. I'm a big underground rap fan. I listen to the likes of J. Cole. Lately, I've also been getting into techno house music. And I've been on an Eighties retro kick, and I've even been experimenting with some rock.
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America wasn't interested in the roots of house music because it was too black, it was too gay, it was all these things, and today it's made very sanitized and white.
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When it comes to electronic music, I started listening to a lot of Daft Punk, way before I knew what house music was, and then progressed into a lot of Steve Angello, Eric Prydz, Axwell, Sebastian Ingrosso, and Laidback Luke.
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House Music isn't black or white. It just is. It feels good & it feels right.
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Many people in the neighborhood liked hip-hop and house music, and I couldn't play that. You can't perform that on guitar or drums, which was what I was playing, at the time. But, I got so much from mariachi bands that were constantly playing in the neighborhood.
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I started in '88 to play House music, it was a huge revolution for me. I went to London and I saw a DJ on stage and that was crazy at the time. I was one of the really respected and famous DJs in Paris, but they would never show me. I was hidden. A DJ on stage and people dancing and facing the DJ, looking at him? I was like 'wow!'
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Bright light put me in a trance, but it ain't house music makes me wanna dance.
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Since I was gay and loved disco music, it was kinda pre-programmed that my first experiences with house music and acid - which I first heard in the late 80s, mainly through Düsseldorf's ruling clubs, Relaxx and Ratinger Hof - completely mesmerized me.
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I wanted to capture the excitement of house music, almost like a four-four beat, and the best way to do that was to use a language that was rhythmic and performative.
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I'm passionately involved in life: I love its change, its color, its movement. To be alive, to be able to see, to walk, to have houses, music, paintings - it's all a miracle.
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In our house we repeated the pattern of thousands of other homes. There were a few books and a lot of music. Our food and our furniture were no different from our neighbors'.
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In all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience.
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The lack of quality dance music and the fact that here in the United States, house music is not seen as anything viable by the music industry. I figured that this might be another shot at the industry looking at the possibilities of house music and giving it a little bit more legitimacy than what they give it. It's a host of different things, but it's something that I needed to say musically.
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I'm not going to say I'm not a fan, but I'm a fan of house music, essentially, and kind of indie, and I was always into the kind of sub-pop Seattle Mud Honey and Pearl Jam kind of sound. But my kind of big love was house music ever since I was 15/16, going to raves when I was 15 or 16 years old and not going to school, like a naughty boy.
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I love house music. I love all music.
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As a New Yorker you can't help but be proud of the fact that so much music and culture started here. Punk rock, jazz, hip-hop and house music started here, George Gershwin debuted 'Rhapsody in Blue' here; the Velvet Underground are from New York.
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I grew up in St. Louis in a tiny house full of large music - Mahalia Jackson and Marian Anderson singing majestically on the stereo, my German-American mother fingering 'The Lost Chord' on the piano as golden light sank through trees, my Palestinian father trilling in Arabic in the shower each dawn.
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Quite a few musicians came to our house. And my ma took me to hear many more, hoping to encourage in me a love of music. But she wouldnt consent to my having music lessons, for she feared I might end up as she had done - unable to play except from paper.
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I actually only started listening to house music around the time I started making it. I got hooked both to making music and to house music.
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I am definitely pro-European, even pro-global, and house music and electronic music has developed a network all over the world, between record shops in Berlin, Tokyo, London, Chicago, Minneapolis and L.A. That's really what I feel part of, rather than being French.
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House music is about love, and lots of hip hop is about hate and intolerance, so in that respect, it's not good at all.
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Well, my sister played trumpet. Can you imagine having a sister blowing the trumpet around the house, Fred? And my brother, he played piano. Everybody was playing some kind of music, so it was natural for me to get into it.
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I don't like to feel like I'm in a club when I'm in my car and I turn on the radio. Anything that ceases to be a song and just sounds like house music kind of stresses me out.
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Top Authors
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Sergei Bubka Olympic athlete -
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Sarah Ban Breathnach Publisher -
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Shani Davis Speed Skater
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