Sundance Quotes
The best sayings about Sundance that you can share on Instagram, Pinterest, Facebook and other social networks!
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I think it took us all by surprise. I mean, I knew that people in New Zealand would like [Hunt for the Wilderpeople], but no one really anticipated how much they would embrace it as it is. And it's playing widely in Australia now; they're running it as well. It's going to be interesting to see how it does it in the States, but I think if Sundance was any indication, I imagine it could do well.
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When I was younger I saw a movie called 'Butch Cassidy and the Sundance Kid' with Paul Newman and Robert Redford. Those two actors and that movie was my inspiration to want to be an actor.
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For some reason at Sundance, more than other festivals that I'm aware of, you find filmmakers rushing to screen works that sometimes aren't completed. In my seven years of programming at Toronto, I'm not aware of any documentaries that went back for serious editing after their premiere - other than those presented as works-in-progress. But at Sundance every year there seems to be a few films that push the deadline so hard that they get taken back to the edit room afterwards.
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Slamdance actually is indie and rebellious. Sundance obviously felt threatened.
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David Michôd changed my life, quite literally, along with the chaps at Sony Pictures Classics. That's what set me on my way. I thought we did good work and had a good film, but when it was so praised at Sundance that year that's what really started the ball rolling. We all paid our own way to Sundance.
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The first time I ever intersected with the quote unquote industry or Hollywood or being given a paid job as a director all came because of the reputation I got coming out of Sundance as a veteran Sundance filmmaker.
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I have vision and the rest of the world wears bifocals.
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Kid - the next time I say, 'Let's go someplace like Bolivia,' let's go someplace like Bolivia.
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I've heard a lot of variation of similar questions, but it's interesting to see the variations of audiences and how different people respond, so I think it's all valid. I don't take it personally at this point, which I probably would have at Sundance. But it's really thrilling.
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Sundance Supply has a neat material calculator and free greenhouse designs-Great Prices!
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This movie [Don Jon] played at Sundance and South by Southwest and Berlin. And it just played - well...by the time it played at Toronto recently, it was already done. But getting to watch it with a thousand people is hugely informative.
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When I was 19, I thought [Brokeback Mountain] was going to be the best movie ever made. And everyone was going to see it and it was just going to be incredible. And then nobody saw it and it didn't get bought at Sundance. And it was a really great experience. Humbling. And then it's since found its way.
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I'm not good at watching stuff that I'm in at all. I should stop. I shouldn't watch something for the first time with a room full of people at Sundance. It's not a good idea.
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Sundance felt like a natural fit. I love coming here, and I do think that this festival suits my films rather than most of the festivals I've been to. I'm not going to Cannes, you know.
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[ 'American Dream' ] probably will [go] somewhere in Europe. You get 3000 entries [to] Sundance, and how many movies get [screened]? So, I'm a realist. I'm very much realistic in terms of if this movie will be released in the States. Probably not.
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[Sundance is] giving people a chance - many first-time filmmakers. It carries that weight - if you bring something here, people connect with it and it can launch a career.
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I remember when we were at Sundance, we were in Robert Redford's screening room, and I had never seen the film look so beautiful or sound so great. It was really big and really powerful, and I had a sense of accomplishment in finishing a project like this.
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By the time you arrive at Sundance as a filmmaker, you've been living with your film intimiately, and scrutinized every frame, and probably aren't happy with - or at least I'm never happy with it - and you've seen it in the roughest of states, and you lose perspective, really.
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I think when I envisioned my documentaries, what I wanted to do when I left, I had no business doing those documentaries. I didn't know what I was doing. I was delving into an arena that I had no experience in, and Netflix paired me up with two documentarians that really executed my vision perfectly. That was great, to see that. All of a sudden I'm at Sundance, and those are premiering. I just thought, "Wow, they were four ideas I pitched one day, and now it's coming to fruition on this scale."
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We all have to draw some lines. To preserve my sanity, I steer clear of cooking, professional sports and most imports, unless imported to us via PBS, Sundance, etc.
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I just really feel so grateful to Sundance because I've always been an artist and I've never been able to make a living at being an artist until Sundance.
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Once you leave Sundance suddenly you run into bulldozers and concrete and cranes, and all that heritage that the Mormon culture used to be so proud of is turned into out of control develpoment.
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Sundance claimed to be "rebellious" on all of their programs, but they are not. Most of the movies at Sundance were multi-million dollar pictures that were already guaranteed a theatrical release.
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Sundance is weird. The movies are weird - you actually have to think about them when you watch them.
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I initially thought it was going to feel weird to be [on Sundance] while [the marches against now-President Donald Trump] was happening. And feel disconnected in that way that feels irresponsible. But the other side of it is that there are people here who believe the right things that are trying to make a difference with art.
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As an actor and as a person you come together with being in familiar territory although that has not been my whole life. That's been a part of it. I think a lot of people associate me with the west because of Sundance.
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[Sundance] still feels significant. I don't think you can help but come here and not feel that sense of history and its significance in influencing film. And I think it still does. Some of that is based on history, but it's also based on really incredible programmers who are showcasing such an incredible variety of cinema.
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Sundance is just a great place for your work to be seen. Not much more to say about it than that.
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Directors typically have three choices - you do a studio movie and get a paycheck up front, you do an independent movie, which is for your heart and you don't get paid up front and probably don't make any money on it, but it hopefully goes to Sundance and is more of an art movie, and then you do TV.
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Sundance started with two acres back in 1963 that I bought from a sheepherder for $500. What has happened, I could see development starting to descend on the state of Utah. I thought I had better acquire more land to protect it. I thought that would probably be my legacy, to protect land.
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