Lenses Quotes
The best sayings about Lenses that you can share on Instagram, Pinterest, Facebook and other social networks!
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There's a lot of people talking about elitism and all of that.Yes, I went to Princeton and Harvard, but the lens through which I see the world is the lens that I grew up with. I am the product of a working class upbringing.
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If you look at yourself and life through the lens of your ego, you'll feel isolated, ganged up on, alone, dfferent, and not part of the crowd. If you look through the lens of Spirit, knowing we're all one, you'll always feel safe, secure, ad loved.
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The bat was looking at Theo and Theo was having trouble following his own thoughts.The bat was wearing tiny sunglasses.Ray Bans,Theo could see by the trademark in the corner of one lens."I'm sorry, Mr.,uh- Case, could you take the bat off your head.It's very distracting." Him." Pardon?" It's a him.Roberto.He no like the light.
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I'm a natural behind the camera... My attentions are more toward behind the scenes, more toward creating, producing, and directing what's going on here... When I finally do pop in front of the lens, I'm genuinely glad and relieved to be there.
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Occupy provided me a lens through which to see systemic discrimination.
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Many council leaders and members will be surprised to discover how much more focused their work will become when they examine it through the lens of saving souls through the mission of the Church.
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My favorite method of encryption is chunking revolutionary documents inside a mess of JPEG or MP3 code and emailing it off as an "image" or a "song." But besides functionality, code also possesses literary value. If we frame that code and read it through the lens of literary criticism, we will find that the past hundred years of modernist and postmodernist writing have demonstrated the artistic value of similar seemingly arbitrary arrangements of letters.
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If you view everything through the lens of fear, then you tend to stay in retreat mode. You can just as easily see a crises or problem as a challenge, an opportunity to prove your mettle, the chance to strengthen and toughen yourself, or a call to collective action. By seeing it as a challenge, you will have converted this negative into a positive purely by a mental process that will result in positive action as well.
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Faith, for me, isn't an argument, a catechism, a philosophical “proof.” It is instead a lens, a way of experiencing life, and a willingness to act.
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The camera has its own kind of consciousness; in the lens the Garden of Eden itself would become ever so slightly too perfect.
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I know of several children and adults (with Asperger’s Syndrome) who have reported a considerable reduction in visual sensitivity and sensory overload when wearing Irlen lenses.
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Of course, the camera is a far more objective and trustworthy witness than a human being. We know that a Brueghel or Goya or James Ensor can have visions or hallucinations, but it is generally admitted that a camera can photograph only what is actually there, standing in the real world before its lens.
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You have to realize there are other people, other economies, governments, cultures, religions, and destinies going on at the same time as yours. You have to widen the scope of your lens and start seeing more.
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Of course, it may be that the arts of writing and photography are antithetical. The hope and aim of a word-handler is that he maycommunicate a thought or an impression to his reader without the reader's realizing that he has been dragged through a series of hazardous or grotesque syntactical situations. In photography the goal seems to be to prove beyond a doubt that the cameraman, in his great moment of creation, was either hanging by his heels from the rafters or was wedged under the floor with his lens in a knothole.
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To the oft-asked question, What camera or lens do you use? I can only reply I couldn't tell to save my soul - it is enough for me to know that I have something that will make pictures and that it is in working order.
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The answers to our questions are everywhere; we just need to change the lens with which we see the world.
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When you see what you express through photography, you realize all the things that can no longer be the objectives of painting. Why should an artist persist in treating subjects that can be established so clearly with the lens of a camera?
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Some of the people who are now manipulating photos, such as Andreas Gursky, make the argument - rightly - that the 'straight' photographs of the 1940s and 50s were no such thing. Ansell Adams would slap a red filter on his lens, then spend three days burning and dodging in the dark room, making his prints. That's a manipulation. Even the photographs of Henri Cartier-Bresson, with all due respect to him, are notoriously burned and dodged.
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I try to find what makes even the worst, most despicable character sympathetic at his or her core.
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I started meditating and as soon as I turned that lens of attention inwards, it was like, okay, game over. This is what I'd been looking for to resolve some of these inner conflicts and pains.
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The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens' vision are esthetically often a virtue.
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She was like a camera that had been chronically out of focus until someone came by and twisted the lenses into alignment.
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The self is merely the lens through which we see others and the world.
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I've always had the utmost respect and awe of what the lens can do and what a director can do with just a camera move.
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When I began to photograph nudes, I let myself be guided by this camera, and instead of photographing what I saw, I photographed what the camera was seeing. I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed.
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I always wanted to know what lens they were on, how close they were. I didn't do it with a plan in mind, but I would instinctively gear what I was doing toward what lenses they were using.
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I never wanted/expected to write a memoir, but this life thing, it has a way of sideswiping our worlds, scaring us so thoroughly that our past lenses of contextualizing events don't work - they cease to matter.
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I am a Mormon woman, I am not orthodox. It is the lens through which I see the world. I hear the Tabernacle Choir and it still makes me weep.
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I think the 50mm lens is an extremely good discipline lens; it requires you to see in a more refined way, not just tighter.
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I don't want to take photographs that I won't recognize as myself, and myself isn't necessarily just blankly staring at the lens.
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