Plot Quotes

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  • But it isn’t a rough draft either. The one I turned in several months ago was rough. There were some bad plot holes, some logical inconsistencies, pacing problems, and not nearly enough lesbian unicorns.

  • I have seen books made of things neither studied nor ever understood ... the author contenting himself for his own part, to have cast the plot and projected the design of it, and by his industry to have bound up the fagot of unknown provisions; at least the ink and paper his own. This may be said to be a buying or borrowing, and not a making or compiling of a book.

    "Essays". Book by Michel de Montaigne, Book III, Chapter XII; in "Hoyt's New Cyclopedia Of Practical Quotations" (1922), p. 653-54, 1595.
  • It’s so real." "Most dreams are. It isn't until you wake up that you see all the plot holes.

    Dream   Real   Plot  
    Becca Fitzpatrick (2013). “The Complete Hush, Hush Saga: includes Hush, Hush; Crescendo; Silence and Finale”, p.780, Simon and Schuster
  • We inherit plots. There are only two or three in the world, five or six at most. We ride them like treadmills.

    Two   Plot   Three  
  • It helps to regard soul as an active intelligence, forming and plotting each person's fate. Translators use "plot" to render the ancient Greek word mythos in English. The plots that entangle our souls and draw forth our characters are the great myths. That is why we need a sense of myth and knowledge of different myths to gain insight into our epic struggles, our misalliances, and our tragedies. Myths show the imaginative structures inside our messes, and our human characters can locate themselves against the background of the characters of myth.

    James Hillman (2012). “The Force of Character: And the Lasting Life”, p.11, Ballantine Books
  • As regards plot I find real life no help at all. Real life seems to have no plots. And as I think a plot desirable and almost necessary, I have this extra grudge against life.

    Real   Writing   Thinking  
    In R. Lehmann et al. Orion I (1945) p. 25
  • Plots are for dead people.

  • When I wrote Rick, I had the idea that I would take the plot of nearly every opera and turn it into a dark film, which is something I still may do.

    Dark   Ideas   Plot  
    Interview with Tasha Robinson, www.avclub.com. November 16, 2005.
  • The history of the world for the past several centuries and current events at home and abroad confirm the existence of such a conspiracy (to destroy Christianity and obtain global power). The world-wide net-work of diabolical conspirators implements this plot against the Christian faith while Christians appear to be sound asleep. The Christian clergy appear to be more ignorant or more indifferent about this conspiracy than other Christians ... It seems so sad.

    Christian   Home   Past  
  • It is easy to be beautiful; it is difficult to appear so. I admire you, beloved, for the trap you've set. It's like a final chapter no one reads because the plot is over.

    Beautiful   Plot   Finals  
    Frank O'Hara (2005). “In Memory of My Feelings: A Selection of Poems”, p.65, The Museum of Modern Art
  • Modernism has a reputation for being a forbidding phenomenon: its visual arts disconcertingly non-representational, its literary efforts devoid of the consolations of plot and character - even its films, it's argued, fall well short of that true desideratum: entertainment.

    Art   Fall   Character  
    "Constellation of Genius, 1922: Modernism Year One by Kevin Jackson - review" by Will Self, www.theguardian.com. October 19, 2012.
  • It's very liberating for me to realize that I don't have to step up to the plate with a plot that involves the U.N. Security Council.

    Plot   Steps   Realizing  
  • It's easy now, now that it's a story. When you were going through it, it was life. Always much harder to get the plot line on.

    Carol Anshaw, Merrill Maguire Skaggs (2012). “Aquamarine”, p.68, Houghton Mifflin Harcourt
  • Some people's lives seem to flow in a narrative; mine had many stops and starts. That's what trauma does. It interrupts the plot. You can't process it because it doesn't fit with what came before or what comes afterward. A friend of mine, a soldier, put it this way. In most of our lives, most of the time, you have a sense of what is to come. There is a steady narrative, a feeling of "lights, camera, action" when big events are imminent. But trauma isn't like that. It just happens, and then life goes on. No one prepares you for it.

    Light   People   Feelings  
  • If the bible were published as fiction, no reviewer would give it a passing grade. There are some vivid scenes and quotable phrases but there's no plot, no structure, a tremendous amount of filler and the characters are painfully one dimensional. Whatever you do, don't read the bible for a moral code. It advocates prejudice, cruelty, superstition and murder. Read it because we need more atheists.

  • Our enemy is motivated by hatred and will not stop planning more plots against until they are ultimately defeated. Today was an important and necessary victory in the war, but there is a long road ahead. We must remain committed if we are to succeed and protect our liberty.

    War   Long   Hatred  
  • The fiction writer has a lot of balls to juggle. Setting, pacing, dialogue, and so on. And let's not forget: plot. That was always a hard one for me. And I always had this spastic tendency to wrap up a story before I'd seen it the whole way through, a sort of writer's pre-ejaculatory tendency: "The End!"

    Plot   Balls   Fiction  
    Source: www.redividerjournal.org
  • Most short stories have but one plot. The very best, however, have what I call a plot-and-a-half – that is, a main plot and a small subplot that feeds in a twist or an unexpected piece of business that ads crunch and flavor to the story as a whole.

    Writing   Twists   Plot  
  • Growing up, for years and years I had no idea what the plots of operas were, and that's part of what fascinated me - I could make them up and learn bits and pieces of what was going on over time. There's something about it being always a step away that makes it more fun to chase.

    Growing Up   Fun   Years  
    Source: www.interviewmagazine.com
  • Introduce your main characters and themes in the first third of your novel. If you are writing a plot-driven genre novel make sure all your major themes/plot elements are introduced in the first third, which you can call the introduction. Develop your themes and characters in your second third, the development. Resolve your themes, mysteries and so on in the final third, the resolution.

  • Authors of so-called 'literary' fiction insist that action, like plot, is vulgar and unworthy of a true artist. Don't pay any attention to misguided advice of that sort. If you do, you will very likely starve trying to live on your writing income. Besides, the only writers who survive the ages are those who understand the need for action in a novel.

    Writing   Artist   Advice  
  • Story is about pulling the reader in and a plot is a more externalized mechanism of revelation. A plot is more antic, more performative, and less intimate. When you're telling a story you're telling it into someone's ear.

    Plot   Stories   Ears  
    Interview with Conan Putnam, www.believermag.com. January, 2014.
  • When I hit a block, regardless of what I am writing, what the subject matter is, or what's going on in the plot, I go back and I read Pablo Neruda's poetry. I don't actually speak Spanish, so I read it translation. But I always go back to Neruda. I don't know why, but it calms me, calms my brain.

    Block   Writing   Brain  
  • Anthony Ryan is a new fantasy author destined to make his mark on the genre. His debut novel, Blood Song, certainly has it all: great coming of age tale, compelling character, and a fast-paced plot. If his first book is any indication of things to come, then all fantasy readers should rejoice as a new master storyteller has hit the scene.

    Song   Book   Character  
    Interview with Fran Friel, amazingstoriesmag.com. March 22, 2013.
  • The absence of plot leaves the reader room to think about other things.

    Thinking   Plot   Rooms  
    David Shields (2010). “Reality Hunger”, p.114, Vintage
  • I wanted to make a film about anorexia. I thought about it for a long time, but then gave up on this idea as I felt that this theme would be so hermetic and closed that it would not reach an audience. However, the plot about the character of Olga and the idea that a body has a lot of different meanings were still present in my mind.

    Character   Ideas   Long  
    Source: blogs.indiewire.com
  • I've paid the price; I definitely have a reputation that precedes me, and there is a camp that plots my demise. But then again... it's funner that way.

    Plot   Demise   Way  
    "Rufus and Martha Wainwright on Family Memories, Jealousy, and Fame". Interview with Miranda Siegel, www.vulture.com. February 19, 2013.
  • Life has a very simple plot: first you're here and then you're not.

    "17 Funniest Lines from Monty Python Star Eric Idle’s Commencement Speech" By Gillian Frew, www.huffingtonpost.com. May 21, 2013.
  • Our easiest approach to a definition of any aspect of fiction is always by considering the sort of demand it makes on the reader. Curiosity for the story, human feelings and a sense of value for the characters, intelligence and memory for the plot. What does fantasy ask of us? It asks us to pay something extra.

  • Plot, rules, nor even poetry, are not half so great beauties in tragedy or comedy as a just imitation of nature, of character, of the passions and their operations in diversified situations.

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