Dystopian Quotes
The best sayings about Dystopian that you can share on Instagram, Pinterest, Facebook and other social networks!
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I've always read broadly: literary fiction, sci-fi, fantasy, chick lit, historical, dystopian, nonfiction, memoir. I've even read Westerns. I prefer female protagonists.
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People in the know say The Giver was the first young adult dystopian novel.
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Its a heartening fact about the human race that utopian fiction precedes dystopian fiction in the evolution of literature.
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Dystopian, by definition, promises a darker story.
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I disagree that we need to contemplate eliminating ourselves in order to move forward. Sure, I think a good dystopian story can serve to steer us on the right path toward a better world. But we also need stories that offer solutions to our problems that are realistic, and workable today.
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I don't buy into the dystopian scenarios of self-aware robots enslaving mankind, but you don't have to be a sci-fi conspiracy theorist to acknowledge that plenty of good, well-paying jobs are being taken over by machines.
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Every new generation of SF writers remakes cyberpunk - a genre often laced with dystopian subtexts - in its own image.
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The paperweight was the room he was in, and the coral was Julia's life and his own, fixed in a sort of eternity at the heart of the crystal.
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Dystopian novels help people process their fears about what the future might look like; further, they usually show that there is always hope, even in the bleakest future.
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I think sci-fi films have become rather bleak, and understandably so - I think we've made some big mistakes globally with how we're developing, and we deal with that guilt by creating these very dystopian futures in films.
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I came across an old story of mine that I'd written a decade ago. The main joke of the story is that a mother is telling her children about how she met their father online. The majority of memories the mother has all have to do with really funny links he sent her, a music download that she loved, etc. - and because of these superficial details she fell in love with the father. Reading it today, it's hardly a dystopian story; it's simply a realistic story about how people actually meet.
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I feel as if dystopian and utopian representations are historically the most effective way of criticizing modern society. You know, because you don't have to be factually accurate. You can kind of construct some awesome strawman arguments in your fictional world.
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Before Sept. 11, the idea that Americans would voluntarily agree to live their lives under the gaze of a network of biometric surveillance cameras, peering at them in government buildings, shopping malls, subways and stadiums, would have seemed unthinkable, a dystopian fantasy of a society that had surrendered privacy and anonymity.
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What I find interesting and heartening, though, is that there does seem to be a shift in the subject matter being written about by women that is doing well in the culture. We're seeing more women writing dystopian fiction, more women writing novels set post-apocalyptic settings, subjects and themes that used to be dominated by men.
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The way superheroes dominate the fictional landscape now, along with dystopian futures and zombies. Yeah, definitely - I think these stories function as a kind of mythology for us.
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I'm not really interested in the exploding car or endless sort of dystopian fantasies and superheroes. None of that... that doesn't interest me very much.
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When you're a teenager, everything seems like the end of the world, and I don't think that's necessarily a silly thing. You're waking up and becoming aware that the world has problems and those problems affect you, whereas when you're young they don't seem to affect you that much even if you're aware of them. This dystopian trend picks up on that little part of your life where everything feels really extreme and it honors that part of your life and says, "Yeah. It is the end of the world. Look at it."
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I have very vivid dreams and nightmares, and my biggest fear is of some kind of dystopian future where we're advanced in every way except in our humanity.
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'Divergent' was my utopian world. I mean, that wasn't the plan. I never even set out to write dystopian fiction, that's just what I had when I was finished. At the beginning, I was just writing about a place I found interesting and a character with a compelling story, and as I began to build the world, I realized that it was my utopia.
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When I was a kid growing up in the '80s, the BBC showed those old Buster Crabbe serials like Flash Gordon and Buck Rogers. So instead of ponderous sci-fi or depressing sci-fi or dystopian sci-fi and all the things we're kind of used to, where it's always raining and it's always dark, I thought, "Wouldn't it be nice to do something that was just fun and absolutely nonstop?" Like, I love writing action, and this thing is that. It's all action.
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I think the power of image is in mystery - I endlessly create mysteries, by way of this dystopian message, to initiate intrigue.
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I know these are going to sound like school reading-list suggestions, but if you like dystopian fiction, you should check out some of the originals: Anthem, by Ayn Rand; 1984, by George Orwell; or Brave New World, by Aldous Huxley.
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Would we be so enamored with dystopian fiction if we lived in a culture where violent death was a major concern? It wouldn't be escapism.
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How do we get utopian thinking in a dystopian world? These days we aren't talking to each other - we're screaming and trying to hit each other over the head with rocks and sticks. A primitive fury has been unleashed by a president who has no culture, who cannot read, and who wants to determine power and aggression.
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Most dystopian, classic and contemporary, paints a future world that puts a twist on present society - a future world that could plausibly happen.
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I think that a lot of dystopian literature tends to be really moralizing and just doesn't tend to give credence to the importance of the sentimental. Maybe it says, "We need love in this world," but it's always this tough, strong statement.
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Kids' literature now is dystopian, you know.
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I haven't written a novel or something that long, because I really am improvising all along and the story is growing new limbs to do what it needs to do. So there's very little planning. There's a little planning where I say, "Well, it looks like I'm going in this direction, ok, good." But there's very little forethought or intellectual justification: "Oh, look, I'm putting in a theme park because that represents dystopian America!"
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I assumed just from being around, all these years, that people would immediately glom on to, Well, it's a departure, and it's a dystopian kind of thing, and that's natural, of course. But it's surprised me - not even surprised me, but it's pleased me - how much people have been responding to the way the book was written.
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Who controls the past controls the future. Who controls the present controls the past.
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