Subtext Quotes
The best sayings about Subtext that you can share on Instagram, Pinterest, Facebook and other social networks!
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You don't always want to be using the music in a way to express ideas inherent that are on the screen. You might want to work more around the fringes of the story, and work more with the subtext, and add more depth to the story through the use of music.
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I think the benefit of being a writer is that I'm looking for the subtext on the page, because all good writing has subtext. And as a writer, you look at the big scope of things, the big story, rather than just your individual story line, because I think it's important to know what you're in and how you fit into it.
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When I used to watch comedians with my dad, he laid it all out for me. He wanted to be a comedian himself, and he was so funny. We'd watch stand-up on TV, and he'd tell me the subtext of what they were saying.
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I believe that filmmakers have to internalize the story and subtext so well that all of the departments can start to speak to each other - that music can speak to cinematography can speak to writing and back again.
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For me really good acting is about subtext.
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With Shakespeare, there's no subtext; you're speaking exactly what you're thinking constantly.
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Want to discover the truth about deception in therapy? Jeffrey Kottler and Jon Carlson have collected a formable collection of old pros whose compelling prose sheds light on an important, but previously unexplored, subtext that permeates psychotherapy. Don't fool yourself: The roadmap to avoid being duped is contained within.
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I'd be a Libertarian, if they weren't all a bunch of tax-dodging professional whiners.
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I moved to leave, and Dylan actually grabbed my shoulders. I was so surprised that i forgot to karate-chop his elbows and break his arms.' “I don’t want anything to happen to you,” he said urgently. “What you want does not matter here,” I said slowly and carefully. I hoped Dylan was sensitive enough to read between the lines, to the subtext of: Let go of me or I’ll kill you.
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Every new generation of SF writers remakes cyberpunk - a genre often laced with dystopian subtexts - in its own image.
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I do tend to be an analyzer. I'm an old English major from way back, so I do have fun tearing apart texts and trying to find the hidden secrets and the subtexts in there.
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I am not one of those actors who dwells on the histrionics and the subtext and future text of the character. I deal with the scenes that I'm doing at that specific time, because if I do that, they play in more of a real way.
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Half of a broadcast show, in my experience, is things happening, and the other half is people talking about how they feel about the things that happened. And so there's this sense of everyone saying their subtext out loud.
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I started with wanting to think about witches, about strong women who have special powers - who are often misunderstood. Then I found some beautiful blue fabric, so I made Blue Witches. My creative process is always like that. Organic, text, theme, subtext, each day evolving and trying to make strong, beautiful clothes. It's that simple.
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Liberal, shmiberal. That should be a new word. Shmiberal: one who is assumed liberal, just because he's a professional whiner in the newspaper. If you'll read the subtext for many of those old strips, you'll find the heart of an old-fashioned Libertarian. And I'd be a Libertarian, if they weren't all a bunch of tax-dodging professional whiners.
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Dr. Everest, got up and gave us a little pep talk. Mostly it boiled down to the fact that it was autumn, and everyone was back, and while that was a great thing, people better not get cocky or misbehave or he'd personally kill us all. He didn't actually say those words, but that was the subtext.
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It starts with the writing. We have to think of all these characters - we have to treat them all equally. We have to think of them as having an interior life and having motivations. When I'm drawing female characters, I'm looking for that. I'm looking for subtext. I'm looking for ways to make the reader relate to them in a way that goes beyond the pure aesthetic value. You know, just drawing an attractive woman really gets kind of boring after a while.
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Anderson sent me to give you this he said. I believe the subtext was kiss and makeup. This time I was sure I made a face. "I rather kiss a copperhead." I grabbed the envelop from his hand. He laughed and held up his hands in surrender. Don't worry. It was only a figure of speech.
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It was like hiking into a Hemingway story; everything was sepia-toned and bristling with subtext.
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You can sing if you have a great voice, but to connect that instrument to the text and connect it to the subtext, what lies underneath and the emotion, is indeed a rare talent.
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If you know why someone is doing what they're doing, why they're behaving the way they are, then that's your job to reveal that, and often that's situational. The storytelling does that, and then some of it's your job as an actor to make that subtext come to life.
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All the music I loved as a child, people thought it was junk. People were unaware of the subtext in so many of those records but if you were a kid you were just completely tuned in, even though you didn't always say - you wouldn't dare say it was beautiful.
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With my horror movies or with this movie [Valley of Violence], same thing. The subtext of this movie is what to take away from it. Plot is never something that's been my driving force as a filmmaker.
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For better or worse, there is not a situation in one's daily life that does not have feminist subtext, superstructure, implications and one is constantly aware of it, even when you want to rest it stands up and hits you in the face.
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I am obsessed with story. I had a late awakening in life. In college was the first time that I understood what you could do with a story and what a good novel is - literary value and subtext and irony and everything.
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You have to watch out with my plays. They're like yeast. You think they're one thing, then all of a sudden subtext gets to working.
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As a director, I like trying to unlock the subtext of the scene and try to put the camera in a place that helps that.
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Obviously we're doing a comedy [Fresh Hell], and our intent is to entertain, but we're also really aware and trying to stay aware of the subtext of what it's like to reach a certain age and be dismissed, basically, from the fraternity you've always wanted to be a part of, and the desperation involved in trying to claw your way back into it.
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Shakespeare doesn't really write subtext, you play the subtext.
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God bless the physician who warms the speculum or holds your hand and looks into your eyes. Perhaps one subtext of the health caredebate is a yen to be treated like a whole person, not just an eye, an ear, a nose or a throat. A yen to be human again, on the part of patient and doctor alike.
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