Free Verse Quotes

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  • Free verse is chained in sentence-to-sentence links and breaks free in line breaks.

    Links   Lines   Break  
    "Walking with Her Muse: An Interview with Shirley Geok-lin Lim". Contemporary Women's Writing, Volume 8, Issue 2, 1 July 2014, Pages 123 - 135, academic.oup.com. June 22, 2013.
  • I began to write what I called 'rhythms' ie unrhymed pieces with no formal metrical scheme where the rhythm was created by a kind if inner chant... Later I was told I was writing 'free verse' or Vers libre.

    Writing   Pieces   Kind  
    "Collected Poems". Book by Richard Aldington, Introduction, 1929.
  • So many people's school experience contains at least one instance of being looked down upon because they didn't care for one or more of the sacred mutant outcroppings of High Modernism, and they concluded from this that Literature is all about impenetrable stuff that they don't like. That damn Hemingway with his crazy free verse.

    Crazy   School   People  
    "Oh No Lev Grossman No". nielsenhayden.com. August 30, 2009.
  • My own verse is usually free verse. The freer the better.

  • Writing free verse is like playing tennis with the net down.

    Writing   Poetry   Tennis  
    Address to Milton Academy, Milton, Mass., 17 May 1935
  • But in a lot of ways my poems are very conventional, and it's no big deal for me to write a poem in either free verse or strict form; modern poets can, and do, do both.

    Writing   Way   Modern  
    "Ode to a right royal charmer". Interview With Euan Ferguson, www.theguardian.com. July 23, 2000.
  • The form of free verse is as binding and as liberating as the form of a rondeau.

    Form   Binding   Verses  
    Donald Hall (2004). “Breakfast Served Any Time All Day: Essays on Poetry New and Selected”, p.34, University of Michigan Press
  • Among those today who believe that modern poetry must do without rhyme or metre, there is an assumption that the alternative to free verse is a crash course in villanelles, sestinas and other such fixed forms. But most... are rare in English poetry. Few poets have written a villanelle worth reading, or indeed regret not having done so.

    "An Introduction to English Poetry". Book by James Fenton, 2002.
  • The poet who writes "free" verse is like Robinson Crusoe on his desert island: he must do all his cooking, laundry and darning for himself. In a few exceptional cases, this manly independence produces something original and impressive, but more often the result is squalor - dirty sheets on the unmade bed and empty bottles on the unswept floor.

    Dirty   Writing   Islands  
    "The Dyer's Hand, and Other Essays" by W. H. Auden, ("Writing"), (p. 22), 1962.
  • I switch between fixed forms and free verse often, and enjoy being a poet who can "swing both ways," so to speak.

    Swings   Way   Speak  
    Source: blog.pshares.org
  • Teenagers are free verse walking around on two legs.

    Teenager   Two   Legs  
    Dorothy Allison, Mae Miller Claxton (2012). “Conversations with Dorothy Allison”, p.119, Univ. Press of Mississippi
  • I've read some of your modern free verse and wonder who set it free.

    Wonder   Modern   Verses  
  • I've given offense by saying I'd as soon write free verse as play tennis with the net down.

    Writing   Play   Poetry  
    In Edward Lathem 'Interviews with Robert Frost' (1966) p. 203
  • I recently bought a book of free verse. For twelve dollars.

    Humorous   Book   Twelve  
    George Carlin (2002). “Napalm & Silly Putty”, Hyperion
  • Free verse seemed democratic because it offered freedom of access to writers. And those who disdained free verse would always be open to accusations of elitism, mandarinism. Open form was like common ground on which all might graze their cattle - it was not to be closed in by usurping landlords.

    "Negative images" by James Fenton, www.theguardian.com. November 15, 2002.
  • Polyphonic prose is a kind of free verse, except that it is still freer. Polyphonic makes full use of cadence, rime, alliteration, assonance.

    Use   Cadence   Kind  
    "Can Grande's Castle". Book by Amy Lowell, 1921.
  • Modernism in other arts brought extreme difficulty. In poetry, the characteristic difficulty imported under the name of modernism was obscurity. But obscurity could just as easily be a quality of metrical as of free verse.

    Art   Names   Quality  
    "Negative images" by James Fenton, www.theguardian.com. November 15, 2002.
  • The voice is raised, and that is where poetry begins. And even today, in the prolonged aftermath of modernism, in places where "open form" or free verse is the orthodoxy, you will find a memory of that raising of the voice in the term "heightened speech".

    "Where poetry and music divide" by James Fenton, www.theguardian.com. June 21, 2002.
  • No verse is libre for the man who wants to do a good job.

    Jobs   Truth   Men  
    Ezra Pound, Richard Sieburth (2010). “New Selected Poems and Translations”, p.362, New Directions Publishing
  • I like poetry because poetry - even in free verse - is formal, and it has to be very concise and packed and rich, and I like the feeling of having to do that, having to make the language tight and still free, as if the deepest freedom is created by the restrictions.

    Interview with Carolyn Perry and Wayne Zade, poems.com. 2009.
  • I hardly know what I'm going to write - an article, a story, a poem in free verse - or in some regular form. I only know that when I have the first sentence. And when the first sentence makes a kind of pattern, then I find out the kind of rhythm I'm looking for.

    Jorge Luis Borges (1998). “Jorge Luis Borges: Conversations”, p.76, Univ. Press of Mississippi
  • I compelled myself all through to write an exercise in verse, in a different form, every day of the year. I turned out my page every day, of some sort - I mean I didn't give a damn about the meaning, I just wanted to master the form - all the way from free verse, Walt Whitman, to the most elaborate of villanelles and ballad forms. Very good training. I've always told everybody who has ever come to me that I thought that was the first thing to do.

    Mean   Writing   Exercise  
    "Conrad Aiken, The Art of Poetry No. 9". Interview with Robert Hunter Wilbur in September 1963, "The Paris Review", www.theparisreview.org. Winter - Spring 1968.
  • I never abandoned either forms or freedom. I imagine that most of what could be called free verse is in my first book. I got through that fairly early.

    Book   Firsts   Imagine  
  • I started wanting desperately to say something, to make a point, to be heard - and I still feel that way. Free verse served me best when I embarked on poetry.

    Way   Heard   Feels  
    Source: therumpus.net
  • Free verse'? You may as well call sleeping in a ditch 'free architecture'.

  • The modern poet has no essential alliance with regular schemes of any sorts.He reserves the right to adapt his rhythm to his mood, to modulate his metre as he progresses. Far from seeking freedom and irresponsibility (implied by the unfortunate term free verse) he seeks a stricter discipline of exact concord of thought and feeling.

    "Collected Essays in Literary Criticism". Book by Herbert Read, 1938.
  • I am not at all clear what free verse is anymore. That's one of the things you learn not to know.

    Clear   Verses   Knows  
  • If a poem is not memorable, there's probably something wrong. One of the problems of free verse is that much of the free verse poetry is not memorable.

  • Free verse is like free love; it is a contradiction in terms.

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