Downloads Quotes
The best sayings about Downloads that you can share on Instagram, Pinterest, Facebook and other social networks!
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Ultimately the first, best step in getting your work noticed is to write good work. If people don't engage in your writing, no amount of serialization or free downloads is going to matter. You have to write something worth reading, and often it takes time to get at that level.
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Look: I download music illegally, if I really want it. But I always then buy the record - I support art.
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You know, most people in the open-source world who use open-source software don't actually do builds themselves - those people just download the binaries. And so we expect that the big enterprise people will just do that and we will certainly be providing binaries that have been through full industrial-strength QA, that have been through all the conformance testing.
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I was a huge Sub-Zero guy, but the fact that you can download Freddy Krueger is the coolest thing I've heard of in a very long time.
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The forced influence of advertising has given us completely useless TV. You don't want that on the Net. But most on-line information providers need to attract advertising - which slows download times and clutters the screen with windows.
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Free downloads is something that I like to do its just not as publicised and it is the future of music.
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When I was in college, I remember thinking to myself, this internet thing is awesome because you can look up anything you want, you can read news, you can download music, you can watch movies, you can find information on Google, you can get reference material on Wikipedia, except the thing that is most important to humans, which is other people, was not there.
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Yeah, if someone's selling downloads and collecting money for our songs I would be unhappy about that but if they're trading it I don't mind, obviously if I make a thousand records or CDs or whatever, I like to sell a thousand.
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You can already download any of the religious texts onto electronic mechanisms like a Kindle. But I think many people prefer to hold a book in their hands.
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Don't just buy a new video game, make one. Don't just download the latest app, help design it. Don't just play on your phone, program it.
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You have record companies that sign acts that they think are great, and then they never do anything. Acts that they don't think are really going to do much end up having a career. I don't think anyone really knows what it is that drives somebody to get on their computer and want to download a song.
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I like to think illegal downloads only do real damage to the endless amounts of careless pop music though.
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If you're going to download an MP3, as a recording, it's sort of like an archive of something that has happened - that has a beginning and an end and can be released. The infiniteness escaped.
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I like to be challenged with language, so I start to do texts for my blogs that people can download, can spread. There is no commercial interest behind it. It's only for fun, like doing something that you really enjoy to do. I have texts that I write specifically for the internet and I put them there. I am interested in how readers also respond to the texts that I write to them.
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It's clear that people are going to download media files, and they're going to talk to each other, and they're going to exchange information and knowledge and so forth. So this system logic is basically what you bounce off of.
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With pop music, the format dictates the form to a big degree. Just think of the pop single. It has endured as a form even in the download age because bands conform to a strict format, and work, often very productively, within the parameters.
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Most people didnt have the bandwidth to download whole albums. And so it brought back this cherry picking idea that the audience would focus on certain songs and possibly be the impetus behind what eventually got on AM radio: the single or whatever.
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It's much easier to become a hacker now. It was a private community before and you had to find your way in, like tumbling down a rabbit hole. Today, there are all-in-one desktops fully equipped with tools pre-built into the operating system, all related to hacking. They are all very powerful tools and free to download.
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Sharing music is not a crime. It shouldn't be. There should be a deeper meaning to making music than just selling downloads.
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I firmly believe that the next great breakthrough in bioscience could come from a 15-year-old who downloads the human genome in Egypt.
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I'm all for sharing music, but when people can download a whole record and pay nothing for it and then they share it with 100,000 other people, it's breaking down the whole business.
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Trust is everything. If I didn't have trust, there would be no downloads, no show, and no business.
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A digital download is not as visceral as buying a CD, removing the shrink-wrap, putting the disc in your player, and pouring through the booklet of lyrics and liner notes. The digital age has removed us from the tactile experience of what it meant to listen to an album.
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Until we can insert a USB into our ear and download our thoughts, drawing remains the best way of getting visual information on to the page. I draw as a collagist, juxtaposing images and styles of mark-making from many sources. The world I draw is the interior landscape of my own personal obsessions and of cultures I have absorbed and adapted, from Latvian folk art to Japanese screens. I lasso thoughts with a pen. I draw a stave church or someone from Hello! magazine not because I want to replicate how they look, but because of the meaning they bring to the work.
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I try to explain that to my kids - the experience of going to a record store, flipping through racks and finding that album cover that intrigues you - but my kids don't want to know about it. They download the one song on the album they like, and pay their 99 cents.
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The idea is that instead of going to an online retail site ... and buying a physical CD and having it shipped to you, you actually can buy the song and download the song to your computer hard drive.
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The Web is cool, but the library is magic. Where else can the spirit of generations of writers stir your soul? So many writers talk about libraries setting them on their magical paths, it's almost a groaner. But we know it's true. Wander through the stacks and you can feel the dreams, the unique worlds bubbling within each volume. The magic enters you as if by osmosis. On the Web, you may feel clever, lucky and driven to download--but rarely inspired to dream and to write.
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I realize that people won't even download the entire album and might just download a song or two and put it in a playlist for a workout or in the background while people do dishes. That's fine and I can't dictate how people listen to my music, but I structure records the way I listen to records.
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Nothing has really changed. We had bootleg albums in the '60s and today we have Internet file sharing. They just found a better way to do it -- get music for free. What's great about today is an artist has an opportunity to go direct to their audience without dealing with a middleman. People can go directly to the web for CDs, DVDs and downloads. I think that's the best thing that's happened, that people's music is being flashed around the world.
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We need to take information, wherever it is stored, make our copies and share them with the world. We need to take stuff that's out of copyright and add it to the archive. We need to buy secret databases and put them on the Web. We need to download scientific journals and upload them to file sharing networks... With enough of us, around the world, we’ll not just send a strong message opposing the privatization of knowledge - we’ll make it a thing of the past. Will you join us?
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