Editing Quotes

On this page you will find all the quotes on the topic "Editing". There are currently 547 quotes in our collection about Editing. Discover the TOP 10 sayings about Editing!
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  • You become a good writer just as you become a good joiner: by planing down your sentences.

    "Anatole France Himself: A Boswellian Record by His Secretary". Book by Jean-Jacques Brousson, 1925.
  • Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems. It's just too complicated - negatives, tinting, flashing - it's a whole new system that takes a lot of time. Of course, it's not as physical. Even the editing. You used to feed a piece of celluloid into an editor. [Digital] is not expensive and that is an advantage, but I must say that I don't love it.

    "Interview: Cinematographer Vilmos Zsigmond". Interview with Laurence Lerman, www.discdish.com. January 11, 2016.
  • When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things.

    Fall   Editing   People  
  • Film editing is now something almost everyone can do at a simple level and enjoy it, but to take it to a higher level requires the same dedication and persistence that any art form does.

    Interview with Michael Wohl, www.peachpit.com. November 1, 2001.
  • It is amazing how little effort most people make to improve control of their attention. If reading a book seems too difficult, instead of sharpening concentration we tend to set it aside and instead turn on the television, which not only requires minimal attention, but in fact tends to diffuse what little it commands with choppy editing, commercial interruptions, and generally inane content.

    Book   Reading   Editing  
  • I did a film that I shot in 24 hours that was self-financed for $5,000. It was a feature called Looking For Jimmy that I shot with a bunch of friends. I spent eight months editing because we had 24 hours of footage that made no sense and I learned a lot about directing while editing that film.

    Eight   Editing   Self  
    "Julie Delpy: Male Directors Have Stolen My Ideas". Interview with Emily Zemler, www.elle.com. March 22, 2016.
  • Hemingway was a jerk.

    "Biography/ Personal Quotes". www.imdb.com.
  • And then my editor really likes that because he's left alone to do what...to create those things instead of me breathing over his shoulder and I like it because I don't have to sit in the editing room all day. I get to watch just dailies.

    Source: collider.com
  • But I suppose film is distinctive because of its nature, of its being able to cut through time with editing.

    Cutting   Editing   Able  
  • The longer I write, the more important I believe it is to write the first draft as fast as possible. In drafting, I push myself so I am at the edge of discomfort...Later, it will be time for consideration and reconsideration, slow, careful revision and editing. But on the first draft I have to achieve velocity, just as you do if you want the bike to balance.

  • If you are a professional writer - i.e., if someone else is getting paid to worry about how your words are formatted and printed - Emacs outshines all other editing software in approximately the same way that the noonday sun does the stars. It is not just bigger and brighter; it simply makes everything else vanish.

    Stars   Editing   Worry  
    "In the Beginning... Was the Command Line". Essay by Neal Stephenson, 1999.
  • You have to edit the material. That assumes that some kind of a mind is operating in relation to the material. Not all minds are the same. Every aspect of filmmaking requires choice. The selection of the subject, the shooting, editing and length are all aspects of choice.

    Movie   Editing   Choices  
    "Toronto International Film Festival 2002: An interview with Frederick Wiseman, director of The Last Letter". Interview with David Walsh, www.wsws.org. October 2, 2002.
  • The road to Hell is paved with unbought stuffed dogs.

    Ernest Hemingway (2016). “The Sun Also Rises”, p.37, Hamilton Books
  • Basically, I composed the musical structure in one pass. The rest was editing and small adjustments. And when the play was read by actors with the music, the sequence timed-out perfectly.

    Editing   Play   Musical  
    Source: www.theobjectivestandard.com
  • Great control and great discipline are necessary when you reach your own editing stage of the book, but in the early stages you have to be prepared to let anything happen and to get it wrong or go off track. The development of a character is not smooth or simple - it is as tricky as meeting someone new whom you would like to know better.

    Book   Character   Simple  
  • LICKSPITTLE, n. A useful functionary, not infrequently found editing a newspaper . . . the lickspittle is only the blackmailer under another aspect, although the latter is frequently found as an independent species.

    Ambrose Bierce (2009). “The Devil's Dictionary: Easyread Super Large 24pt Edition”, p.7, ReadHowYouWant.com
  • Peeping through my keyhold I see within the range of only about 30 percent of the light that comes from the sun; the rest is infrared and some little ultraviolet, perfectly apparent to many animals, but invisible to me. A nightmare network of ganglia, charged and firing without my knowledge, cuts and splices what I see, editing it for my brain. Donald E. Carr points out that the sense impressions of one-celled animals are not edited for the brian: 'This is philosophically interesting in a rather mournful way, since it means that only the simplest animals perceive the universe as it is.

    Mean   Cutting   Animal  
  • Editing and selectivity are processes that provide the first steps in determining and conveying content.

    Editing   Firsts   Steps  
  • The writing is what gives me the joy, especially editing myself for the page, and getting something ready to show to the editors, and then to have a first draft and get it back and work to fix it, I love reworking, I love editing, love love love revision, revision, revision, revision.

    Source: www.psychologytoday.com
  • The way I perform or the setup is always same - just me and a microphone and the text - and they usually have some relation of how physical that stack becomes. When I'm editing it together, the density of the papers is an indicator to be like, "You need to stop."

    Source: www.interviewmagazine.com
  • The films dramatic requirements should always take precedence over the mere aesthetics of editing.

    Edward Dmytryk (2012). “On Film Editing”, p.46, CRC Press
  • For some reason at Sundance, more than other festivals that I'm aware of, you find filmmakers rushing to screen works that sometimes aren't completed. In my seven years of programming at Toronto, I'm not aware of any documentaries that went back for serious editing after their premiere - other than those presented as works-in-progress. But at Sundance every year there seems to be a few films that push the deadline so hard that they get taken back to the edit room afterwards.

    Taken   Editing   Years  
    Source: blogs.indiewire.com
  • Whenever I'm not shooting, I'm in the editing room with my footage. While the crew is taking 15 minutes to an hour to set up the next shot, I'm behind the Avid, putting the flick together.

    Avid   Editing   Together  
  • Every first-rate editor I have ever heard of reads, edits and rewrites every word that goes into his publication.... Good editors are not 'permissive'; they do not let their colleagues do 'their thing'; they make sure that everybody does the 'paper's thing.' A good, let alone a great editor is an obsessive autocrat with a whim of iron, who rewrites and rewrites, cuts and slashes, until every piece is exactly the way he thinks it should have been done.

  • I think I have an obligation, to the people who have consented to be in the film, to make a film that is fair to their experience. The editing of my films is a long and selective process. I do feel that when I cut a sequence, I have an obligation to the people who are in it, to cut it so that it fairly represents what I felt was going on at the time, in the original event. I don't try and cut it to meet the standards of a producer or a network or a television show.

  • To be a film director is not a democracy, it's really a tyranny. You're the head of the project, for better rather than worse. I write the film and I direct the film, I decide who's going to be in it, I decide on the editing, I put in the music from my own record collection.

    Interview with Geoff Andrew, www.theguardian.com. September 27, 2001.
  • If you make a film, that magic is not there, because you were there while shooting it. After writing a film and shooting it and being in the editing room every day, you can never see it clearly. I think other people's perception of your film is more valid than your own, because they have that ability to see it for the first time.

    Source: www.avclub.com
  • When I'm editing, I try to bring out some dramatic structure. I think it is about theater in some way; it is a little play.

    Thinking   Editing   Play  
    Source: therumpus.net
  • I have an adult emotional life and an editing system inside me which prevents me from being preposterously stupid.

  • Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.

    Home   Mean   Artist  
    Stan Lee, Jeff McLaughlin (2007). “Stan Lee: conversations”, Univ Pr of Mississippi
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