Fear And Loathing Quotes

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  • Weird heroes and mould-breaking champions exist as living proof to those who need it that the tyranny of 'the rat race' is not yet final.

    Hero   Race   Champion  
    1969 'Those Daring Young Men In Their Flying Machines Ain't What They Used To Be!', in Pageant, Sep.
  • Maybe it meant something. Maybe not, in the long run, but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant.

    Hunter S. Thompson (2011). “The Great Shark Hunt: Strange Tales from a Strange Time”, p.104, Simon and Schuster
  • He who makes a beast out of himself gets rid of the pain of being a man.

  • No, this is not a good town for psychedelic drugs. Reality itself is too twisted.

    Reality   Vegas   Drug  
    Hunter S. Thompson (2010). “Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream”, p.47, Vintage
  • Las Vegas: A Savage Journey to the Heart of the American Dream

    Dream   Heart   Journey  
    Hunter S. Thompson (2011). “The Great Shark Hunt: Strange Tales from a Strange Time”, p.105, Simon and Schuster
  • There was madness in any direction, at any hour. You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning.

    Hunter S. Thompson (2012). “The Great Shark Hunt: Strange Tales from a Strange Time”, p.93, Pan Macmillan
  • Seems like the light at the end of the tunnel may be you.

    Humor   Vegas   Tunnels  
  • No sympathy for the devil; keep that in mind. Buy the ticket, take the ride...and if it occasionally gets a little heavier than what you had in mind, well...maybe chalk it off to forced conscious expansion: Tune in, freak out, get beaten.

    Life   Epic   Las Vegas  
    Hunter S. Thompson (2010). “Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream”, p.89, Vintage
  • Analysis takes back with one hand what it gives with the other. I recoil in fear and loathing from that deplorable evil: continuous functions with no derivatives.

    Hands   Evil   Giving  
  • People don't know where to place me. Terry Gilliam used me as a quirky cop in 'Twelve Monkeys', and then he hired me again to be an effeminate hotel clerk in 'Fear and Loathing in Las Vegas'. Another time, I was shooting this indie film 'The Souler Opposite' and six days a week, I'm playing this big puppy dog, then I come to the 'NYPD Blue' set and become this scumbag.

    Dog   Vegas   Blue  
  • I'm a relatively respectable citizen. Multiple felon perhaps, but certainly not dangerous.

    "Fictional character: Raoul Duke". "Fear and Loathing in Las Vegas", www.imdb.com. 1998.
  • Like most of the others, I was a seeker, a mover, a malcontent, and at times a stupid hell-raiser.

    Hunter S. Thompson (2011). “The Rum Diary: Film Tie-in Edition”, p.5, A&C Black
  • The only thing that really worried me was the ether. There is nothing in the world more helpless and irresponsible and depraved than a man in the depths of an ether binge. And I knew we'd get into that rotten stuff pretty soon. Probably at the next gas station.

    Hunter S. Thompson (2011). “The Great Shark Hunt: Strange Tales from a Strange Time”, p.531, Simon and Schuster
  • Life should not be a journey to the grave with the intention of arriving safely in a pretty and well-preserved body.

    "Biography / Personal Quotes". www.imdb.com.
  • I hate to advocate drugs, alcohol, violence, or insanity to anyone, but they've always worked for me.

    Weed   Hate   Drinking  
    FaceBook post by Hunter S. Thompson from Jul 15, 2014
  • We can't stop here, this is bat country!

    Hunter S. Thompson (2011). “The Great Shark Hunt: Strange Tales from a Strange Time”, p.535, Simon and Schuster
  • I felt like a monster reincarnation of Horatio Alger: A man on the move, and just sick enough to be totally confident.

    Crazy   Moving   Men  
    Hunter S. Thompson (2010). “Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream”, p.201, Vintage
  • On this side of the Atlantic, the arrival of a new Woody Allen movie is always greeted with tremors of bliss by filmgoers past the age of 60, with mild curiosity by those in their 50s, with trepidation by those in their 40s, with fear and loathing by those in their 30s, and with complete indifference by anyone younger. An icon to baby boomers, who will never concede that when something is over, it is really over (Clapton, McCartney, Santana, the 1960s), Allen has not made a truly memorable film since Bullets On Broadway back in 1994.

    Baby   Memorable   Past  
    "Proles in a pickle" by Joe Queenan, www.theguardian.com. January 20, 2006.
  • Creating fear and loathing of gay and lesbian Americans has proven, year after year, to be the most effective say for Dobson and the other fundamentalist Christian leaders to raise millions of dollars and recruit millions of volunteers to support their long-range campaign to take back America.

    Christian   Gay   Years  
  • Not everybody is comfortable with the idea that politics is a guilty addiction. But it is.

    Hunter S. Thompson (2012). “Better Than Sex: Confessions of a Political Junkie”, p.1, Ballantine Books
  • I was never idle long enough to do much thinking, but I felt somehow that my instincts were right.

    Hunter S. Thompson (2011). “The Rum Diary: A Novel”, p.5, Simon and Schuster
  • There is nothing in the world more helpless and irresponsible and depraved than a man in the depths of an ether binge.

    "Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream".
  • I shared a vagrant optimism that some of us were making real progress, that we had taken an honest road, and that the best of us would inevitably make it over the top. At the same time, I felt that the life we were leading was a lost cause, that we were all actor, kidding ourselves on a senseless odyssey. It was the tension between those two poles - a restless idealism on one hand and a sense of impending doom on the other - that kept me going.

    Real   Taken   Hands  
    "The Rum Diary". Book by Hunter S. Thompson, 1998.
  • We are all wired into a survival trip, now.

    Hunter S. Thompson (2010). “Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream”, p.175, Vintage
  • Life should not be a journey to the grave with the intention of arriving safely in a pretty and well preserved body, but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming "Wow! What a Ride!

    Life   Death   Suicide  
    FaceBook post by Hunter S. Thompson from Nov 01, 2015
  • You better take care of me Lord, if you don't you're gonna have me on your hands.

  • Institutionalized rejection of differences is an absolute necessity in a profit economy which needs outsiders as surplus people. As members of such an economy, we have all been programmed to respond to the human differences between us with fear and loathing and to handle that difference in one of three ways: ignore it, and if that is not possible, copy it if we think it is dominant, or destroy it if we think it is subordinate.

    Audre Lorde (2012). “Sister Outsider: Essays and Speeches”, p.115, Crossing Press
  • There is nothing in the world more helpless and irresponsible and depraved than a man in the depths of an ether binge. It makes you behave like the village drunkard in some early Irish novel. Total loss of all basic motor skills, blurred vision, no balance, numb tongue - the mind recoils in horror, unable to communicate with the spinal column. Which is interesting, because you can actually watch yourself behaving in this terrible way, but you can’t control it.

    Loss   Men   Skills  
  • I see light at the end of the tunnel.

    Positive   Humor   Vegas  
    Walt Whitman Rostow (1955). “Russia and China Under Communism”
  • And that, I think, was the handle--that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn't need that. Our energy would simply prevail. There was no point in fighting--on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark--the place where the wave finally broke and rolled back.

    "Fictional character: Raoul Duke". "Fear and Loathing in Las Vegas", 1998.
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