Early Work Quotes
The best sayings about Early Work that you can share on Instagram, Pinterest, Facebook and other social networks!
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My early work is politically anarchist fiction, in that I was an anarchist for a long period of time. I'm not an anarchist any longer, because I've concluded that anarchism is an impractical ideal. Nowadays, I regard myself as a libertarian.
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An artist's early work is inevitably made up of a mixture of tendencies and interests, some of which are compatible and some of which are in conflict
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They [the critics] deal with Schoenberg's early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.
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In my early work I didn't use much colour. I had no confidence about how I could do this.
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If you get up early, work late, and pay your taxes, you will get ahead -- if you strike oil.
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You think you're developing and getting better and then you see something you did years ago. Looking at your early work.. sometimes it has a depth that surprises you.
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Once an organization loses its spirit of pioneering and rests on its early work, its progress stops.
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There is in my work a very strong religious foreground and background. In the later work some of that tends to diminish, but it's certainly present in the early work.
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Whatever I've experienced in my life is a part of my story, and I'm proud of that. But it's someone who wakes up early, works all day, believes in charitable work, business-minded, diligent, accountable, problem-solving... I'm so much about school, consistency and tradition.
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Bob Dylan may be the Charlie Chaplin of rock n' roll. Both men are regarded as geniuses by their entire audience. Both were proclaimed revolutionaries for their early work and subjected to exhaustive attack when later works were thought to be inferior. Both developed their art without so much as a nodding glance toward their peers.
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I don’t go back and look at my early work, because the last time I did, many years ago, it left me cringing. If one publishes, then one is creating a public record of Learning to Write.
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Although not of the quality of my later work, I feel there is some quality to it [my early work] in an art sense, and probably some additional quality in a biographical sense.
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The world that seemed so various and new, well, it does contract. One's burning desire to investigate human behavior, and to make, or imply, statements about it, does fall off. And so one does find that early works are full of energy and also full of vulgarity, crudity, and incompetence, and later works are more carefully finished, and in that sense better literary products. But . . . there's often a freshness that is missing in later works--for every gain there's a loss. I think it evens out in that way.
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Documentation is misleading, because the performance is dead. So the very early works were not documented at all.
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Much of the early work focused on dopamine and we were really looking for rewarding sorts of effects and sure enough, we only found that. But you can destroy the main dopamine-producing structures of the brain and you can still get an animal to self-administer drugs like cocaine.
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We have to focus on his early work, and just one or two of his movies, and elements of his TV shows, to keep his memory pure. People now know that Elvis could play a mean rhythm guitar himself, and needed no other musicians to perform a great song. But Elvis was not just a rock star, he was an all-round entertainer.
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Rockefeller once explained the secret of success. 'Get up early, work late - and strike oil.'
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Work on causal theories of knowledge - early work by Armstrong, and Dretske, and Goldman - seemed far more satisfying. As I started to see the ways in which work in the cognitive sciences could inform our understanding of central epistemological issues, my whole idea of what the philosophical enterprise is all about began to change. Quine certainly played a role here, as did Putnam's (pre-1975) work in philosophy of science, and the exciting developments that went on in that time in philosophy of mind.
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People wanted to get me published, and my early work was so weird that they weren't getting anywhere. I thought, okay, I'll do something that's just a tad more normal.
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I think everything I do is my early work. I can't wait to get on to the later stuff.
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The secret of success is to get up early, work late and strike oil.
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I can look at my early work and see what a pained struggle it was to draw what I was drawing. I was trying so hard to get this specific look that was in my head, and always falling short.
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[When you are an actor] it's not a burden to go to work whether it's hard work, whether it's super early work, whatever. So, I go there because I want to be there. I want to do this. That helps a lot.
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I love Bob Dylan, I really do. I love his early work, I love the first time he plugged in electrically, I love his Christian albums, I love his other albums.
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My first two books are out of print and, okay, they can sleep there comfortably. It's early work, derivative work.
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My early work and publications centered around expanding on the analysis of life insurance in my dissertation and its relationship to investment banking.
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As I look over my work, I mean every time I look over my early work, I see, yes, I could do that then and then I could do that and that... That may be the hardest thing for a writer, at least for a poet, to tell what the identity of his work is.
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I suppose some people find their voice later than others, but it's interesting to look back at really early work to see that there's some kernel or a Rosetta Stone, in a way.
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I actually never knew Peter Green but I do respect his early work very much.
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Formula for success: rise early, work hard, strike oil.
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