Portrayal Quotes
The best sayings about Portrayal that you can share on Instagram, Pinterest, Facebook and other social networks!
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There are a lot of black men doing really well, taking care of their families, taking care of their wives, being successful, doing the right thing, promoting the right thing. There needs to be an evolution in our portrayal. We have to come together, pool our resources and tell our own stories. People won't respect us unless we make them.
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We only hear success stories. You don't hear about the hundreds and hundreds - the overwhelming majority that don't go anywhere. This is a more realistic portrayal of what happens in startups.
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Obama also allowed Hillary supporters to insert an absurd statement into the platform suggesting that media sexism spurred her loss and that “demeaning portrayals of women ... dampen the dreams of our daughters.” ... It would have been better to put this language in the platform: “A woman who wildly mismanages and bankrupts a quarter-of-a-billion-dollar campaign operation, and then blames sexism in society, will dampen the dreams of our daughters.”
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It was, just as Kinski had predicted, suicide. He should never have done it. It is widely held by those who knew him, and Kinski himself, that he never recovered from Woyzeck. But what was the ultimate result? If you are the viewer of this film, Kinski's portrayal shocks your feelings out of the vault of intellectualizing or passive observing. He forces you to feel with him, to align yourself with your buried emotions. He outs your sensitivity. Is this not something Christ-like? It is, for my money. Kinski is the pure cure for the 21st-century disease - the numbness unto droning.
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What is to be sought in designs for the display of information is the clear portrayal of complexity. Not the complication of the simple; rather the task of the designer is to give visual access to the subtle and the difficult - that is, revelation of the complex.
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More conservative advocacy work often encourages portrayals of trans people as people who deserve rights. Deservingness, of course, corresponds to national racial, gender and ability norms.
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Dramatic use of color, harmonious design, the interplay of light and shadow across a variety of textures, the portrayal of the figure and other subject matter that reflects the sophistication and beauty I find in nature - all presented from a unique point of view - can only be successfully achieved with a sound command of the painter's craft... history will determine how successful I have been.
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I try not to blame the public, because the public - men, especially - have seen not great portrayals of women in supporting roles, because they're not given the lead roles a lot of the time. Especially in comedy, they're relegated to the adversary, which is like "the mean girlfriend."
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Exhilarating. Radical Grace moved me to tears with its portrayal of good people putting their beliefs into action in ways that transcend all ideological boundaries.
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My concern has always been that people who I portray, or the professions that I portray, are not embarrassed by my portrayal of them.
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A persons portrayal on TV isnt always how someone is.
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There's a plethora of wonderful documentaries. I made a point of not looking at anyone else's portrayal of Henry because I think it would have been too confusing - so I've got a lot of films to look forward to.
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I remember in school - in elementary school - I used to recite poems. We'd have to recite poems. And I would always just, like, roll on the floor, like, just make it such a huge, melodramatic portrayal of whatever it was.
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What is accurately portrayed is the rich humanity not just of Martin Luther King but of the movement, which was a multiracial movement. You had blacks and whites coming together and sacrificing, organizing and mobilizing the world. That's the first time we've had collective action put at the center of any kind of portrayal of Martin King on the screen.
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Unlike any other business in the United States, sports must preserve an illusion of perfect innocence. The mounting of this illusion defines the purpose and accounts for the immense wealth of American sports. It is the ceremony of innocence that the fans pay to see - not the game or the match or the bout, but the ritual portrayal of a world in which time stops and all hope remains plausible, in which everybody present can recover the blameless expectations of a child, where the forces of light always triumph over the powers of darkness.
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The portrayal of post-traumatic stress disorder and things like that felt really big and important.
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Sometimes the picture someone else paints of us is a more accurate portrayal than a reflection. What we see in the mirror is always reversed. A portrait not only allows us to see our own faces, but how it looks to others.
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I hope that doing truthful portrayals of people in a variety of circumstances gives people a kind of subterranean link to those characters.
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As an actor, that's the most important thing. You want to be able to let go and not hold onto anything, so that you can give an honest portrayal and performance.
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The author portrays himself in every line he writes and portrayal is always betrayal.
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My portrayal of Fagin was all to do with my experience in comedy and revue.
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All animals are to be found in men and each of theme exists in some man, sometimes several at the time.
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I feel as though I am trying to describe a three-dimensional experience while living in a two-dimension world. The appropriate words, descriptions, and concepts don't even exist in our current language. I have subsequently read the accounts of other people's near-death experiences and their portrayals of heaven and I am able to see the same limitations in their descriptions and vocabulary that I see in my own.
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The biggest fatal flaw in most fictional portrayals of nanotech - what sends those books arcing across the room - is ignoring that the nanobots need energy to do... anything.
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What people adore about superhero movies is the signal quality of the Christopher Nolan films - their complete lack of irony when it comes to the portrayal of heroism and the need for heroes to confront evil.
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I don't really consider myself to be an actor of any particular style. My aim with every role I undertake is to be truthful and honest in that particular portrayal. I don't have a particular methodology from any one school of thought or training.
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I don't really like to arrange shows by best performances. That's why Emmy season is kind of a chore for me. Unlike movies, where it's easier to decide who was the best performance, a TV show goes up and down, including characters/portrayals.
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Providing accurate portrayals of characters is something I want to pay ample attention to. If I don’t stick to that thought, then we’d have to lower the quality or break the balance of the game. Something that goes way off spec could break the entire game.
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Again, like I said, we're not trying to censor anyone. If you think drugs are cool, fine. Make that movie. We are not going to stop you, or try to stop you, but we would encourage other people to be a bit more responsible about their portrayal of drug usage.
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We need to give out portrayal of ourselves. Every non-Indian writer writes about 1860 to 1890 pretty much, and there is no non-Indian writer that can write movies about contemporary Indians. Only Indians can. Indians are usually romanticized. Non-Indians are totally irrepsonsible with the appropriation of Indians, because any time tou have an Indian in a movie, it's political. They're not used as people, they're used as points.
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Top Authors
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Richard K. Diran Author -
Richard Marcinko Author -
Richard Grenier Columnist
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Ray Combs Comedian -
Red Buttons Comedian -
Reed Hastings Entrepreneur -
Ricardo Semler Fictioneer -
Richard Kelly Film director -
Richard E. Robbins Filmmaker -
Richard Møller Nielsen Football player -
Richard Lugar Former member of the United States Senate -
Richard Armitage Former United States Deputy Secretary of State -
Richard Carmona Former United States Surgeon General -
Richard Brookhiser Journalist -
Raphael Lemkin Lawyer -
Richard Henry Wilde Lawyer -
Richard Driehaus Manager -
Rener Gracie Martial Arts Instructor -
Ray Manzarek Musician -
Richard Peck Novelist -
Rene Burri Photographer -
Reza Abdoh Playwright -
Richard Jewell Police officer -
Richard de Bury Priest -
Reuben Fine Psychologist -
Rebecca Stead Writer -
Reginald Heber Writer
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